Status: Returns to Fox on Wednesday, September 16th @ 9pm
I'm in love all over again. You all remember how in love with the original version of the pilot I was when I saw it way back in February, right (Glee)? And then how I was still in love three months later when the final broadcast version aired, but saddened that my joyous experience had been shortened, cut down, and put back together slightly more choppily?
And, not that you would know this, but how I seriously can't get the Glee Cast's versions of "Rehab" and "Don't Stop Believin'" out of my head (or off my iPod... not that I'd want to)?
The second episode screened tonight in LA as part of OutFest. I'm a spoilerphobe (thank you, spoiler addiction and knowing everything that happened in the last 1.5 seasons of Buffy months in advance and ruining the final run of show for me... not that I minded at the time, and not that the show was anywhere near its peak by then). So, you won't be getting a ton of plot details from me.
The episode begins almost like a reset, in case you hadn't seen the pilot (which, I hear-tell, will be airing an EXTENDED VERSION the week before "Showmance" airs... not sure if that means Extended Pilot on September 16th or September 9th). We open on Will pulling into the school parking lot, temporarily stopping Puck and the other jocks from tarnishing poor Kurt's expensive designer threads, etc.
But, readers, there's oh so much more waiting in this episode.
More Jane Lynch, for starters. I'm assured (via press reviews of episode 4 "Preggers," if "Showmance" is considered episode 2) Jane will be an increasingly involved presence (and snarling villainess) as the series progresses... which she damn well better be what with Fox not letting her do even a single episode of Party Down season two (miss you, Constance!)
Then there's the songs. "Showmance" is loaded with them, though we've seen and heard bits from most in promos (Will's take on "Gold Digger," the Glee club's "Le Freak" rehearsal). Put there's also a hilariously raucous performance of "Push It" from the club as well as the sad song playing over the final minutes of the show. The final performance, Rihanna's "Take A Bow" sung by Lea "MinIdina" Michele's Rachel, is heartbreaking. It's the antithesis of the pilot's "Don't Stop Believin'," which left us soaring and hopeful. And it's good to know the show is able to carry some real (teenage) emotional heft with its performances and story and not just goad us into rooting for the underdogs and believing that they can put it together against overwhelming odds (that would be the Disney Channel's MO). Allowing us to feel heartbreak, and to really believe it, in the second episode of this series... well, I'm just in love and along for the ride (so long as the show sticks to this winning formula, with split focus on adults and kids but, really, knowing it's all about the kids) and can't wait for you to know what the hell I'm talking about. And that song better be on iTunes for purchase!
The slurpee toss is back (blue!) and there's a hilarious running gag involving Cory Monteith's Finn, a postal worker, driving lessons, and premature ejaculation.
What? It's Ryan Murphy... and Fox...