GRIMM
9:00-9:15
- 6.710 million viewers
- 4.2/7 HH
- 2.2/6 A18-49
9:15-9:30
- 6.227 million viewers
- 3.9/6 HH
- 2.0/6 A18-49
9:30-9:45
- 6.572 million viewers
- 4.1/7 HH
- 2.2/6 A18-49
9:45-10:00
- 6.719 million viewers
- 4.2/7 HH
- 2.2/6 A18-49
Monday, October 31, 2011
Thursday, October 27, 2011
Revenge Update: An Ill-Timed Stinker
So here I was, all prepared to issue a "mea culpa" about Revenge, which, until last night, was proving a remarkably delicious, confectionery treat to top off my Wednesday evenings.
I loved the pilot script, thought the pilot was lacking (and potentially very confusing to people who hadn't read the script).
Future episodes played better, almost a procedural of Emily Vancamp-Thorne-Walker taking REVENGE on someone through sometimes obvious, sometimes underhanded methods, all the while espousing the world's most monotonous theme-anviling voiceover and smirking and giving shifty-dead eyes that no one seemed to notice.
Also Madeline Stowe wears the shit out of every dress.
Also DEAR GOD Josh Bowman (Daniel) is gorgeous. And HOW AWESOME is Emily that she's so cold and calculating and amoral that she is SLEEPING WITH HOT DANIEL while systematically taking REVENGE (she really does need to shout that word, Sideshow Bob style, after every sentence... "Ah, Kettle chips. The perfect sidedish for... REVENGE!") on his family, and possibly on him.
Also the character they introduced as Daniel's college friend (who is, obviously, secretly poor—QUELLE HORREUR—and, I believe "super secretly" evil gay) is summering in the Hamptons with the Graysons in The Biggest House Ever, yet shares a bedroom and shower with Hot Daniel. RIDICULOUS.
Also what the hell is Connor Paolo's accent, given that neither his fictional father nor his fictional older brother speak with anything remotely like it?
The show, clearly, has so much going for it in the campy guilty pleasure department.
But, still, a big problem I've been having with the show is that there is very little actual drama to it. Emily (and pouty kind of sidekick Nolan) have everything worked out (they have had 8 years to prepare for it since she got out of juvie/whatever/backstory/zzzzzz) that it's all going marvelously flawlessly. Y'know what that means? It means it's boring, or at least more boring that it could be.
Real drama happens when characters have their backs against the wall and have to get out of sticky situations.
I was really excited for last night's episode based on the previews (that'll learn me, especially given every other promo for the show has some version of Madeline Stowe saying "I know your secret" but it turns out to be a dream and/or she's talking to her husband and/or vamping to some member of her staff of thousands) because things, finally, seemed to not be going according to plan when Emily blustered that Lydia (Madeline Stowe's ex-friend who was sleeping with Rich Dad in the pilot) FALLING TO HER COMA (ugh, really, she's not dead? Really? I'm fine that you're going to bring Amber Valetta back, but at least do it as an evil septuplet... because you know she's going to wake up from the coma with explosive amnesia) was not part of her plan.
But things kind of went along swimmingly, anyway. So last night's episode was a big ol' letdown.
Emily did not really seem to take REVENGE on anyone last night. There was no magnificent takedown (unless you count Secret Gay drugging Hot Daniel, then failing to seal the deal when he took Daniel upstairs to "sleep it off" in the poor family's / other love interest's apartment above the bar... and what was that montage scene at the end with Jack looking at Daniel when he came home from the party and the bar was already closed? Was he proud that Daniel worked himself so hard through his double-shift that he was taking a nap? Was he angry? Was he told that Daniel mysteriously disappeared after his enabling, secretly gay, secretly poor best friend drugged him? WHAT THE HELL WAS HE THINKING????).
I didn't realize how much I was craving the procedural-ish element of the show until the show didn't give it to me. Emily didn't want anything last night. She wasn't even really cleaning up the mess Nolan made-ish for her. She was just... dating. Which is a problem, but I respected her when she was an amoral whore slutting it up for with rich, hot guy while scheming REVENGE. But according to next week's promo (Travis, what did you just say? Why have you learned NOTHING), she says she's falling in love with him? I realize this is all part of her evil scheme... but it's so much more interesting/unique (JMHO) if she is really this cold, calculating bitch.
Meanwhile Hot Daniel's Secretly Poor, "Secretly Gay" Evil Best Friend is scheming to... what, exactly? He's already gotten the internship (and Wall Street internships are bank, yo, my younger brother made like $10K in a couple months when he did his years back). And, um, sorry, but when you bang your own head against a blue-painted telephone pole, you don't get a horizontal gash on your forehead. You get bruising. And a concussion. And a skull fracture, perhaps. And even if you do get a gash, YOU GET A SCAR. HOT DANIEL WILL NOT WANT YOU, "SECRETLY GAY" FRIEND, IF YOU HAVE A SCAR ON YOUR FOREHEAD. Unless that just happens to be his thing, that might make Daniel more interesting instead of just man candy.
Where was I? Oh, right. I'm confused about Daniel's friend's motivations. But Emily is onto the fact that he's Secretly Poor, so hopefully she'll chase his ass back to the jitney so he can join the Other 99% in the Occupy Wall Street protests.
Meanwhile, Madeline Stowe's bodyguard? Security chief? New secret boyfriend after James Tupper was sent to jail and died? He's onto Emily. Thank god. Because this shit was gonna get real boring (despite all the WTF listed above) if there was no real noose-tightening going on.
Madeline Stowe did not get much to do last night. I mean, she stood on the veranda in a dress and was stoically angry and that was just about it. Eric Van Der Woodsen had more to do, and his plotline involved dipping his big toe into the Wall Street pond by using banker jargon, stealing, and learning a valuable lesson about the market value of lobster futures.
I don't know, guys. I just don't know. I'm so clearly, unexpectedly invested in this show. I want it to be horrible, yet good, which I realize is an almost impossible tightrope to walk, but the last few weeks have been so delicious and almost-dramatically satisfying, just like a good cotton candy puff piece of nothingness should be.
Although I might have just been in a bad mood because Happy Endings had what I thought was its worst episode ever (but, thankfully / paradoxically / go-figure-ally, its highest rated) immediately beforehand.
I loved the pilot script, thought the pilot was lacking (and potentially very confusing to people who hadn't read the script).
Future episodes played better, almost a procedural of Emily Vancamp-Thorne-Walker taking REVENGE on someone through sometimes obvious, sometimes underhanded methods, all the while espousing the world's most monotonous theme-anviling voiceover and smirking and giving shifty-dead eyes that no one seemed to notice.
Also Madeline Stowe wears the shit out of every dress.
Also DEAR GOD Josh Bowman (Daniel) is gorgeous. And HOW AWESOME is Emily that she's so cold and calculating and amoral that she is SLEEPING WITH HOT DANIEL while systematically taking REVENGE (she really does need to shout that word, Sideshow Bob style, after every sentence... "Ah, Kettle chips. The perfect sidedish for... REVENGE!") on his family, and possibly on him.
Also the character they introduced as Daniel's college friend (who is, obviously, secretly poor—QUELLE HORREUR—and, I believe "super secretly" evil gay) is summering in the Hamptons with the Graysons in The Biggest House Ever, yet shares a bedroom and shower with Hot Daniel. RIDICULOUS.
Also what the hell is Connor Paolo's accent, given that neither his fictional father nor his fictional older brother speak with anything remotely like it?
The show, clearly, has so much going for it in the campy guilty pleasure department.
But, still, a big problem I've been having with the show is that there is very little actual drama to it. Emily (and pouty kind of sidekick Nolan) have everything worked out (they have had 8 years to prepare for it since she got out of juvie/whatever/backstory/zzzzzz) that it's all going marvelously flawlessly. Y'know what that means? It means it's boring, or at least more boring that it could be.
Real drama happens when characters have their backs against the wall and have to get out of sticky situations.
I was really excited for last night's episode based on the previews (that'll learn me, especially given every other promo for the show has some version of Madeline Stowe saying "I know your secret" but it turns out to be a dream and/or she's talking to her husband and/or vamping to some member of her staff of thousands) because things, finally, seemed to not be going according to plan when Emily blustered that Lydia (Madeline Stowe's ex-friend who was sleeping with Rich Dad in the pilot) FALLING TO HER COMA (ugh, really, she's not dead? Really? I'm fine that you're going to bring Amber Valetta back, but at least do it as an evil septuplet... because you know she's going to wake up from the coma with explosive amnesia) was not part of her plan.
But things kind of went along swimmingly, anyway. So last night's episode was a big ol' letdown.
Emily did not really seem to take REVENGE on anyone last night. There was no magnificent takedown (unless you count Secret Gay drugging Hot Daniel, then failing to seal the deal when he took Daniel upstairs to "sleep it off" in the poor family's / other love interest's apartment above the bar... and what was that montage scene at the end with Jack looking at Daniel when he came home from the party and the bar was already closed? Was he proud that Daniel worked himself so hard through his double-shift that he was taking a nap? Was he angry? Was he told that Daniel mysteriously disappeared after his enabling, secretly gay, secretly poor best friend drugged him? WHAT THE HELL WAS HE THINKING????).
I didn't realize how much I was craving the procedural-ish element of the show until the show didn't give it to me. Emily didn't want anything last night. She wasn't even really cleaning up the mess Nolan made-ish for her. She was just... dating. Which is a problem, but I respected her when she was an amoral whore slutting it up for with rich, hot guy while scheming REVENGE. But according to next week's promo (Travis, what did you just say? Why have you learned NOTHING), she says she's falling in love with him? I realize this is all part of her evil scheme... but it's so much more interesting/unique (JMHO) if she is really this cold, calculating bitch.
Meanwhile Hot Daniel's Secretly Poor, "Secretly Gay" Evil Best Friend is scheming to... what, exactly? He's already gotten the internship (and Wall Street internships are bank, yo, my younger brother made like $10K in a couple months when he did his years back). And, um, sorry, but when you bang your own head against a blue-painted telephone pole, you don't get a horizontal gash on your forehead. You get bruising. And a concussion. And a skull fracture, perhaps. And even if you do get a gash, YOU GET A SCAR. HOT DANIEL WILL NOT WANT YOU, "SECRETLY GAY" FRIEND, IF YOU HAVE A SCAR ON YOUR FOREHEAD. Unless that just happens to be his thing, that might make Daniel more interesting instead of just man candy.
Where was I? Oh, right. I'm confused about Daniel's friend's motivations. But Emily is onto the fact that he's Secretly Poor, so hopefully she'll chase his ass back to the jitney so he can join the Other 99% in the Occupy Wall Street protests.
Meanwhile, Madeline Stowe's bodyguard? Security chief? New secret boyfriend after James Tupper was sent to jail and died? He's onto Emily. Thank god. Because this shit was gonna get real boring (despite all the WTF listed above) if there was no real noose-tightening going on.
Madeline Stowe did not get much to do last night. I mean, she stood on the veranda in a dress and was stoically angry and that was just about it. Eric Van Der Woodsen had more to do, and his plotline involved dipping his big toe into the Wall Street pond by using banker jargon, stealing, and learning a valuable lesson about the market value of lobster futures.
I don't know, guys. I just don't know. I'm so clearly, unexpectedly invested in this show. I want it to be horrible, yet good, which I realize is an almost impossible tightrope to walk, but the last few weeks have been so delicious and almost-dramatically satisfying, just like a good cotton candy puff piece of nothingness should be.
Although I might have just been in a bad mood because Happy Endings had what I thought was its worst episode ever (but, thankfully / paradoxically / go-figure-ally, its highest rated) immediately beforehand.
Wednesday, October 26, 2011
Homeland
Really quick, because I haven't mentioned anything about this show and because the name of this blog still is, technically, "Travis Yanan Watches TV" and I suppose that I should, on occasion, prove I am still doing that...
I'm enjoying this show. Are you? It's easily the most interesting / intriguing of the new fall dramas that I've seen (I am not watching Starz's Boss, for some reason... but I've heard positive things), but with this fall's generally terrible network dramas, it would be with only Morena Baccarin's hilarious wig and nudity.
BUT WAIT, THERE'S MORE.
Claire Danes is awesome (even if I'm still waiting for anything to come of the fact that she's mentally imbalanced / has a mood disorder / is potentially bipolar but they haven't gone into it).
Also that spy-hooker got killed for her necklace.
That might be it.
I have hang-ups (also, I am watching as it airs, so this says nothing about anything that may be coming in future episodes).
The premise of the show, per the ads, is/was "the nation sees a hero, she sees a threat."
Yup. That's what the show is.
I'm waiting for it to be more. Because, right now, really the show is asking a yes or no question. Danes's character is either right about Damian Lewis's character (a Marine sergeant captured by a terrorist in 2003 and released / rescued / I can't remember in 2011) being turned or not.
So... there's that. And the show gives us little peeks that Danes's character doesn't get through her many (now disabled) super-spy-cameras (that were put everywhere in the Lewis/Baccarin home except the garage, sigh, blind spots due to having to not be caught in the act of spying) that seem to want us to think "yes, he is" because he now prays to Allah. ZOMG! I HAS A PREJUDICE.
But, yeah, if there doesn't wind up being some twist that takes the show beyond "yes or no" then I'm going to be disappointed.
Also, it only took four episodes for Danes's character to appropriate Jack Bauer's "THERE'S NO TIME" catchphrase.
I took a shot (ah, the good old days of 24-viewing-party-drinking-games).
I'm enjoying this show. Are you? It's easily the most interesting / intriguing of the new fall dramas that I've seen (I am not watching Starz's Boss, for some reason... but I've heard positive things), but with this fall's generally terrible network dramas, it would be with only Morena Baccarin's hilarious wig and nudity.
BUT WAIT, THERE'S MORE.
Claire Danes is awesome (even if I'm still waiting for anything to come of the fact that she's mentally imbalanced / has a mood disorder / is potentially bipolar but they haven't gone into it).
Also that spy-hooker got killed for her necklace.
That might be it.
I have hang-ups (also, I am watching as it airs, so this says nothing about anything that may be coming in future episodes).
The premise of the show, per the ads, is/was "the nation sees a hero, she sees a threat."
Yup. That's what the show is.
I'm waiting for it to be more. Because, right now, really the show is asking a yes or no question. Danes's character is either right about Damian Lewis's character (a Marine sergeant captured by a terrorist in 2003 and released / rescued / I can't remember in 2011) being turned or not.
So... there's that. And the show gives us little peeks that Danes's character doesn't get through her many (now disabled) super-spy-cameras (that were put everywhere in the Lewis/Baccarin home except the garage, sigh, blind spots due to having to not be caught in the act of spying) that seem to want us to think "yes, he is" because he now prays to Allah. ZOMG! I HAS A PREJUDICE.
But, yeah, if there doesn't wind up being some twist that takes the show beyond "yes or no" then I'm going to be disappointed.
Also, it only took four episodes for Danes's character to appropriate Jack Bauer's "THERE'S NO TIME" catchphrase.
I took a shot (ah, the good old days of 24-viewing-party-drinking-games).
Tuesday, October 25, 2011
Once Upon A Time Series Premiere Quarter Hour Breakdown
ONCE UPON A TIME
8:00-8:15
- 12.575 million viewers
- 7.3/11 HH
- 3.9/10 A18-49
8:15-8:30
- 12.849 million viewers
- 7.5/11 HH
- 4.0/10 A18-49
8:30-8:45
- 12.962 million viewers
- 7.5/11 HH
- 4.1/10 A18-49
8:45-9:00
- 13.352 million viewers
- 7.7/11 HH
- 4.1/10 A18-49
We'll see what happens next week (with presumably a stronger football game and with Fox's comedies instead of baseball... so that might be a wash, competition-wise), but this was as strong a start as I think ABC could have hoped for (and, has been written up elsewhere, the strongest drama debut of the season so far). I retain my qualms and questions about the show and its internal logic, but as I said at script and screener stage... this is the kind of show that at its best is something I can fall head over heels for... so my fingers are crossed.
8:00-8:15
- 12.575 million viewers
- 7.3/11 HH
- 3.9/10 A18-49
8:15-8:30
- 12.849 million viewers
- 7.5/11 HH
- 4.0/10 A18-49
8:30-8:45
- 12.962 million viewers
- 7.5/11 HH
- 4.1/10 A18-49
8:45-9:00
- 13.352 million viewers
- 7.7/11 HH
- 4.1/10 A18-49
We'll see what happens next week (with presumably a stronger football game and with Fox's comedies instead of baseball... so that might be a wash, competition-wise), but this was as strong a start as I think ABC could have hoped for (and, has been written up elsewhere, the strongest drama debut of the season so far). I retain my qualms and questions about the show and its internal logic, but as I said at script and screener stage... this is the kind of show that at its best is something I can fall head over heels for... so my fingers are crossed.
Wednesday, October 19, 2011
Man Up Series Premiere Quarter Hour Breakdown
Ugh, are premieres really still happening?
MAN UP
8:30-8:45
- 8.062 million viewers
- 5.0/8 HH
- 2.6/7 A18-49
8:45-9:00
- 7.495 million viewers
- 4.7/7 HH
- 2.3/6 A18-49
MAN UP
8:30-8:45
- 8.062 million viewers
- 5.0/8 HH
- 2.6/7 A18-49
8:45-9:00
- 7.495 million viewers
- 4.7/7 HH
- 2.3/6 A18-49
Wednesday, October 12, 2011
Last Man Standing Series Premiere Quarter Hour Breakdown
LAST MAN STANDING
8:00-8:15
- 12.746 million viewers
- 7.8/13 HH
- 3.3/10 A18-49
8:15-8:30
- 13.106 million viewers
- 7.8/12 HH
- 3.6/10 A18-49
8:30-8:45
- 13.044 million viewers
- 7.8/12 HH
- 3.6/10 A18-49
8:45-9:00
- 13.873 million viewers
- 8.3/13 HH
- 3.9/10 A18-49
8:00-8:15
- 12.746 million viewers
- 7.8/13 HH
- 3.3/10 A18-49
8:15-8:30
- 13.106 million viewers
- 7.8/12 HH
- 3.6/10 A18-49
8:30-8:45
- 13.044 million viewers
- 7.8/12 HH
- 3.6/10 A18-49
8:45-9:00
- 13.873 million viewers
- 8.3/13 HH
- 3.9/10 A18-49
Friday, September 30, 2011
How To Be A Gentleman Series Premiere Quarter Hour Breakdown
HOW TO BE A GENTLEMAN
8:30-8:45
- 9.694 million viewers
- 5.9/10 HH
- 3.0/8 A18-49
8:45-9:00
- 8.258 million viewers
- 5.1/8 HH
- 2.5/7 A18-49
8:30-8:45
- 9.694 million viewers
- 5.9/10 HH
- 3.0/8 A18-49
8:45-9:00
- 8.258 million viewers
- 5.1/8 HH
- 2.5/7 A18-49
Thursday, September 29, 2011
One Of These Things Is Not Like The Other
Oh, Happy Endings. Have I told you recently how much I love you? And how worried I am for you? Yes, yes, you hit series highs coming out of Modern Family (while losing a veritable bleep-ton of MF's audience, which you inexplicably continued to bleed throughout your 29 minute run-time despite the fact that you are awesome and, in my estimation, The New Friends). But I worry.
Here's why. You're far too young-skewing for ABC's current audience, even the demo-friendly Modern Family.
Here's what happened in A50+ on ABC this Wednesday.
- The Middle: 4.5/9
- Suburgatory: 4.8/9
- Modern Family: 5.0/9
- Happy Endings: 2.7/5
- Revenge: 4.8/10
See? One of these things is not like the other.
It's like the old people took a fiber-pill induced 30-minute bathroom break before settling in for Revenge.
Meanwhile, A18-34 and A18-49...
- The Middle: 2.0/7 and 2.7/8 (-0.7)
- Suburgatory: 2.7/8 and 3.3/9 (-0.6)
- Modern Family: 5.4/15 and 5.7/15 (-0.3)
- Happy Endings: 3.2/9 and 3.1/8 (+0.1)
- Revenge: 2.1/6 and 2.7/7 (-0.6)
Your A18-34 is better than your A18-49. In short, you are a CW show that happens to air on ABC.
And I love you. Never change. Just survive. Please.
Hopefully overall numbers and retention post-MF improves as the season goes along (though I think the A50+ is a lost cause... as is the upper end of the A18-49, the parents with teenagers watching MP... just keep working that A18-34/W18-34).
Happy Endings is a show about urban early-30somethings airing on a night of family comedies. When ABC sees what it has on its hands with Apartment 23 (FKA "The Bitch in Apartment 23"... which I personally loved for the improbably comedy dream team Krysten Ritter playing a bitch and James Van Der Beek playing himself... but did not love the straight woman lead character), also not a family comedy, maybe you two can go be together and have, hopefully, a long, hilarious run.
Year of Penny, suck it.
PS - I've been asked for quarter hour ratings... like I said, there was significant bleed... but my point re younger-skewing remains the same
9:31-9:45
- 7.976 million viewers (last minute of Modern Family: 12.542 million)
- 4.9/7 HH (MF: 7.4/11)
- 3.5/9 A18-49 (MF: 5.5/14)
- 3.5/10 A18-34 (MF: 5.2/15)
- 4.6/12 W18-34 (MF: 6.4/17)
9:45-10:00
- 6.572 million viewers
- 4.1/6 HH
- 2.8/7 A18-49
- 2.9/8 A18-34
- 4.0/10 W18-34
Here's why. You're far too young-skewing for ABC's current audience, even the demo-friendly Modern Family.
Here's what happened in A50+ on ABC this Wednesday.
- The Middle: 4.5/9
- Suburgatory: 4.8/9
- Modern Family: 5.0/9
- Happy Endings: 2.7/5
- Revenge: 4.8/10
See? One of these things is not like the other.
It's like the old people took a fiber-pill induced 30-minute bathroom break before settling in for Revenge.
Meanwhile, A18-34 and A18-49...
- The Middle: 2.0/7 and 2.7/8 (-0.7)
- Suburgatory: 2.7/8 and 3.3/9 (-0.6)
- Modern Family: 5.4/15 and 5.7/15 (-0.3)
- Happy Endings: 3.2/9 and 3.1/8 (+0.1)
- Revenge: 2.1/6 and 2.7/7 (-0.6)
Your A18-34 is better than your A18-49. In short, you are a CW show that happens to air on ABC.
And I love you. Never change. Just survive. Please.
Hopefully overall numbers and retention post-MF improves as the season goes along (though I think the A50+ is a lost cause... as is the upper end of the A18-49, the parents with teenagers watching MP... just keep working that A18-34/W18-34).
Happy Endings is a show about urban early-30somethings airing on a night of family comedies. When ABC sees what it has on its hands with Apartment 23 (FKA "The Bitch in Apartment 23"... which I personally loved for the improbably comedy dream team Krysten Ritter playing a bitch and James Van Der Beek playing himself... but did not love the straight woman lead character), also not a family comedy, maybe you two can go be together and have, hopefully, a long, hilarious run.
Year of Penny, suck it.
PS - I've been asked for quarter hour ratings... like I said, there was significant bleed... but my point re younger-skewing remains the same
9:31-9:45
- 7.976 million viewers (last minute of Modern Family: 12.542 million)
- 4.9/7 HH (MF: 7.4/11)
- 3.5/9 A18-49 (MF: 5.5/14)
- 3.5/10 A18-34 (MF: 5.2/15)
- 4.6/12 W18-34 (MF: 6.4/17)
9:45-10:00
- 6.572 million viewers
- 4.1/6 HH
- 2.8/7 A18-49
- 2.9/8 A18-34
- 4.0/10 W18-34
Suburgatory Series Premiere Quarter Hour Breakdown
SUBURGATORY
8:30-8:45
- 9.782 million viewers
- 6.1/10 HH
- 3.3/9 A18-49
8:45-9:00
- 9.836 million viewers
- 6.2/10 HH
- 3.3/9 A18-49
8:30-8:45
- 9.782 million viewers
- 6.1/10 HH
- 3.3/9 A18-49
8:45-9:00
- 9.836 million viewers
- 6.2/10 HH
- 3.3/9 A18-49
Tuesday, September 27, 2011
Hart of Dixie Series Premiere Quarter Hour Breakdown
HART OF DIXIE
9:00-9:15
- 1.716 million viewers
- 1.2/2 HH
- 0.7/2 A18-49
- 0.8/2 A18-34
- 1.4/4 W18-34
9:15-9:30
- 1.903 million viewers
- 1.4/2 HH
- 0.8/2 A18-49
- 0.8/2 A18-34
- 1.5/4 W18-34
9:30-9:45
- 1.938 million viewers
- 1.4/2 HH
- 0.8/2 A18-49
- 0.8/2 A18-34
- 1.4/3 W18-34
9:45-10:00
- 1.952 million viewers
- 1.4/2 HH
- 0.8/2 A18-49
- 0.8/2 A18-34
- 1.4/3 W18-34
Significantly up in viewers versus Gossip Girl premiere (1.373 million for GG versus 1.877 million for HD) and especially older viewers (0.3/0 to 0.8/1)! But young adults and women far underperforming (GG's 1.1/3 versus HD's 0.8/2 A18-34 and 1.7/5 versus 1.4/4 W18-34).
I'd venture this is a "yikes"-appropriate result? No breakout hit for CW this year!
9:00-9:15
- 1.716 million viewers
- 1.2/2 HH
- 0.7/2 A18-49
- 0.8/2 A18-34
- 1.4/4 W18-34
9:15-9:30
- 1.903 million viewers
- 1.4/2 HH
- 0.8/2 A18-49
- 0.8/2 A18-34
- 1.5/4 W18-34
9:30-9:45
- 1.938 million viewers
- 1.4/2 HH
- 0.8/2 A18-49
- 0.8/2 A18-34
- 1.4/3 W18-34
9:45-10:00
- 1.952 million viewers
- 1.4/2 HH
- 0.8/2 A18-49
- 0.8/2 A18-34
- 1.4/3 W18-34
Significantly up in viewers versus Gossip Girl premiere (1.373 million for GG versus 1.877 million for HD) and especially older viewers (0.3/0 to 0.8/1)! But young adults and women far underperforming (GG's 1.1/3 versus HD's 0.8/2 A18-34 and 1.7/5 versus 1.4/4 W18-34).
I'd venture this is a "yikes"-appropriate result? No breakout hit for CW this year!
Terra Nova Series Premiere Quarter Hour Breakdown
TERRA NOVA
8:00-8:15
- 9.336 million viewers
- 5.7/9 HH
- 3.0/9 A18-49
8:15-8:30
- 9.575 million viewers
- 5.8/9 HH
- 3.1/8 A18-49
8:30-8:45
- 9.550 million viewers
- 5.8/8 HH
- 3.2/8 A18-49
8:45-9:00
- 8.951 million viewers
- 5.3/8 HH
- 3.0/7 A18-49
9:00-9:15
- 9.151 million viewers
- 5.5/8 HH
- 3.1/7 A18-49
9:15-9:30
- 9.078 million viewers
- 5.4/8 HH
- 3.0/7 A18-49
9:30-9:45
- 8.786 million viewers
- 5.3/8 HH
- 3.0/7 A18-49
9:45-10:00
- 9.300 million viewers
- 5.5/8 HH
- 3.3/7 A18-49
8:00-8:15
- 9.336 million viewers
- 5.7/9 HH
- 3.0/9 A18-49
8:15-8:30
- 9.575 million viewers
- 5.8/9 HH
- 3.1/8 A18-49
8:30-8:45
- 9.550 million viewers
- 5.8/8 HH
- 3.2/8 A18-49
8:45-9:00
- 8.951 million viewers
- 5.3/8 HH
- 3.0/7 A18-49
9:00-9:15
- 9.151 million viewers
- 5.5/8 HH
- 3.1/7 A18-49
9:15-9:30
- 9.078 million viewers
- 5.4/8 HH
- 3.0/7 A18-49
9:30-9:45
- 8.786 million viewers
- 5.3/8 HH
- 3.0/7 A18-49
9:45-10:00
- 9.300 million viewers
- 5.5/8 HH
- 3.3/7 A18-49
Pan Am Series Premiere Quarter Hour Breakdown
PAN AM
10:01-10:15
- 11.406 million viewers (significantly higher final minute of DH versus the rest of DH, but here it is...: 12.188 million)
- 7.4/11 HH (DH: 7.9/12)
- 3.3/8 A18-49 (DH: 4.1/9)
10:15-10:30
- 10.987 million viewers
- 7.2/11 HH
- 3.0/7 A18-49
10:30-10:45
- 10.977 million viewers
- 7.3/12 HH
- 3.1/8 A18-49
10-45-11:00
- 10.906 million viewers
- 7.3/12 HH
- 3.0/8 A18-49
I'm still of the opinion that this show is an over the counter sleeping aid, but can't argue with these numbers. Quite strong coming out of depressed Desperate Housewives when talking retention. I think that inflated final minute of DH was helped by Pan Am pre-tune in (like with New Girl, which started at 9:01pm but was advertised as 9pm), so don't read too much into it.
10:01-10:15
- 11.406 million viewers (significantly higher final minute of DH versus the rest of DH, but here it is...: 12.188 million)
- 7.4/11 HH (DH: 7.9/12)
- 3.3/8 A18-49 (DH: 4.1/9)
10:15-10:30
- 10.987 million viewers
- 7.2/11 HH
- 3.0/7 A18-49
10:30-10:45
- 10.977 million viewers
- 7.3/12 HH
- 3.1/8 A18-49
10-45-11:00
- 10.906 million viewers
- 7.3/12 HH
- 3.0/8 A18-49
I'm still of the opinion that this show is an over the counter sleeping aid, but can't argue with these numbers. Quite strong coming out of depressed Desperate Housewives when talking retention. I think that inflated final minute of DH was helped by Pan Am pre-tune in (like with New Girl, which started at 9:01pm but was advertised as 9pm), so don't read too much into it.
Monday, September 26, 2011
Fringe Season Four Premiere Quarter Hour Breakdown
FRINGE
9:00-9:15
- 3.846 million viewers
- 2.3/4 HH
- 1.7/5 A18-49
9:15-9:30
- 3.209 million viewers
- 1.9/3 HH
- 1.4/4 A18-49
9:30-9:45
- 3.373 million viewers
- 2.0/3 HH
- 1.4/4 A18-49
9:45-10:00
- 3.502 million viewers
- 2.1/3 HH
- 1.4/4 A18-49
9:00-9:15
- 3.846 million viewers
- 2.3/4 HH
- 1.7/5 A18-49
9:15-9:30
- 3.209 million viewers
- 1.9/3 HH
- 1.4/4 A18-49
9:30-9:45
- 3.373 million viewers
- 2.0/3 HH
- 1.4/4 A18-49
9:45-10:00
- 3.502 million viewers
- 2.1/3 HH
- 1.4/4 A18-49
A Gifted Man Series Premiere Quarter Hour Breakdown
A GIFTED MAN
8:00-8:15
- 8.915 million viewers
- 6.0/11 HH
- 1.4/5 A18-49
8:15-8:30
- 9.268 million viewers
- 6.2/11 HH
- 1.4/5 A18-49
8:30-8:45
- 9.725 million viewers
- 6.4/11 HH
- 1.5/5 A18-49
8:45-9:00
- 9.880 million viewers
- 6.4/11 HH
- 1.5/5 A18-49
8:00-8:15
- 8.915 million viewers
- 6.0/11 HH
- 1.4/5 A18-49
8:15-8:30
- 9.268 million viewers
- 6.2/11 HH
- 1.4/5 A18-49
8:30-8:45
- 9.725 million viewers
- 6.4/11 HH
- 1.5/5 A18-49
8:45-9:00
- 9.880 million viewers
- 6.4/11 HH
- 1.5/5 A18-49
Friday, September 23, 2011
Prime Suspect Series Premiere Quarter Hour Breakdown
PRIME SUSPECT
10:00-10:15
- 6.833 million viewers
- 4.5/7 HH
- 2.1/5 A18-49
10:15-10:30
- 5.747 million viewers
- 3.9/6 HH
- 1.7/4 A18-49
10:30-10:45
- 5.822 million viewers
- 3.9/6 HH
- 1.6/4 A18-49
10:45-11:00
- 5.809 million viewers
- 4.0/7 HH
- 1.6/4 A18-49
The 10pm hour will be different next week with Private Practice and not Grey's Anatomy, but still... not looking good for NBC's new 10pm dramas. Guessing Awake goes here midseason (with Smash already set to take over for Playboy post-Voice in February)?
10:00-10:15
- 6.833 million viewers
- 4.5/7 HH
- 2.1/5 A18-49
10:15-10:30
- 5.747 million viewers
- 3.9/6 HH
- 1.7/4 A18-49
10:30-10:45
- 5.822 million viewers
- 3.9/6 HH
- 1.6/4 A18-49
10:45-11:00
- 5.809 million viewers
- 4.0/7 HH
- 1.6/4 A18-49
The 10pm hour will be different next week with Private Practice and not Grey's Anatomy, but still... not looking good for NBC's new 10pm dramas. Guessing Awake goes here midseason (with Smash already set to take over for Playboy post-Voice in February)?
Whitney Series Premiere Quarter Hour Breakdown
WHITNEY
9:31-9:45
- 7.331 million viewers (final minute of The Office was actually smaller than the rest of the Office, unlike several other overruns we've seen so far this week: 6.801 million)
- 4.3/7 HH (Office: 3.8/6)
- 3.6/9 A18-49 (Office: 3.5/9)
9:45-10:00
- 6.391 million viewers
- 3.9/6 HH
- 3.0/7 A18-49
Significant bleed, much like other post-Office attempts by NBC. Can't imagine this is a good sign, especially given the complete lack of interest in the lead-out.
9:31-9:45
- 7.331 million viewers (final minute of The Office was actually smaller than the rest of the Office, unlike several other overruns we've seen so far this week: 6.801 million)
- 4.3/7 HH (Office: 3.8/6)
- 3.6/9 A18-49 (Office: 3.5/9)
9:45-10:00
- 6.391 million viewers
- 3.9/6 HH
- 3.0/7 A18-49
Significant bleed, much like other post-Office attempts by NBC. Can't imagine this is a good sign, especially given the complete lack of interest in the lead-out.
Person of Interest Series Premiere Quarter Hour Breakdown
PERSON OF INTEREST
9:00-9:15
- 14.007 million viewers
- 8.7/13 HH
- 3.3/9 A18-49
9:15-9:30
- 13.336 million viewers
- 8.3/13 HH
- 3.1/8 A18-49
9:30-9:45
- 13.046 million viewers
- 8.1/12 HH
- 3.0/7 A18-49
9:45-10:00
- 12.941 million viewers
- 8.1/12 HH
- 2.9/7 A18-49
Copy/paste my Charlie's Angels response... can't be what CBS was hoping for.
9:00-9:15
- 14.007 million viewers
- 8.7/13 HH
- 3.3/9 A18-49
9:15-9:30
- 13.336 million viewers
- 8.3/13 HH
- 3.1/8 A18-49
9:30-9:45
- 13.046 million viewers
- 8.1/12 HH
- 3.0/7 A18-49
9:45-10:00
- 12.941 million viewers
- 8.1/12 HH
- 2.9/7 A18-49
Copy/paste my Charlie's Angels response... can't be what CBS was hoping for.
Charlie's Angels Series Premiere Quarter Hour Breakdown
CHARLIE'S ANGELS
8:00-8:15
- 8.929 million viewers
- 5.8/10 HH
- 2.1/6 A18-49
8:15-8:30
- 8.676 million viewers
- 5.6/9 HH
- 2.1/6 A18-49
8:30-8:45
- 8.651 million viewers
- 5.6/9 HH
- 2.1/6 A18-49
8:45-9:00
- 8.764 million viewers
- 5.8/9 HH
- 2.2/6 A18-49
Meh? Certainly can't be what ABC was hoping for.
8:00-8:15
- 8.929 million viewers
- 5.8/10 HH
- 2.1/6 A18-49
8:15-8:30
- 8.676 million viewers
- 5.6/9 HH
- 2.1/6 A18-49
8:30-8:45
- 8.651 million viewers
- 5.6/9 HH
- 2.1/6 A18-49
8:45-9:00
- 8.764 million viewers
- 5.8/9 HH
- 2.2/6 A18-49
Meh? Certainly can't be what ABC was hoping for.
Thursday, September 22, 2011
Modern Family Season Three Premiere Quarter Hour Breakdown
MODERN FAMILY (once again, a special premiere, not going to be making a habit of this... or so I keep telling myself...)
9:00-9:15
- 14.958 million viewers
- 8.8/14 HH
- 6.1/16 A18-49
9:15-9:30
- 14.127 million viewers
- 8.4/13 HH
- 5.9/15 A18-49
9:30-9:45
- 14.618 million viewers
- 8.5/13 HH
- 6.3/16 A18-49
9:45-10:00
- 14.308 million viewers
- 8.3/13 HH
- 6.1/15 A18-49
10:00-10:01
- 16.365 million viewers
- 9.5/15 HH
- 6.8/17 A18-49
9:00-9:15
- 14.958 million viewers
- 8.8/14 HH
- 6.1/16 A18-49
9:15-9:30
- 14.127 million viewers
- 8.4/13 HH
- 5.9/15 A18-49
9:30-9:45
- 14.618 million viewers
- 8.5/13 HH
- 6.3/16 A18-49
9:45-10:00
- 14.308 million viewers
- 8.3/13 HH
- 6.1/15 A18-49
10:00-10:01
- 16.365 million viewers
- 9.5/15 HH
- 6.8/17 A18-49
The X Factor Series Premiere Quarter Hour Breakdown
THE X FACTOR
8:00-8:15
- 10.340 million viewers
- 6.5/11 HH
- 3.5/11 A18-49
8:15-8:30
- 11.388 million viewers
- 6.9/11 HH
- 3.9/12 A18-49
8:30-8:45
- 12.965 million viewers
- 7.7/12 HH
- 4.4/13 A18-49
8:45-9:00
- 13.585 million viewers
- 7.9/12 HH
- 4.8/13 A18-49
9:00-9:15
- 12.787 million viewers
- 7.4/11 HH
- 4.5/12 A18-49
9:15-9:30
- 12.545 million viewers
- 4.5/11 HH
- 4.5/11 A18-49
9:30-9:45
- 12.656 million viewers
- 7.3/11 HH
- 4.4/11 A18-49
9:45-10:00
- 13.685 million viewers
- 8.0/12 HH
- 4.9/12 A18-49
I'm checked out of the audition process for X Factor. Nothing revolutionary or new feeling to it. I will however be back for the "boot camp" section because that's where XF really starts differentiating itself from at least Idol, and really from most other singing competitions.
8:00-8:15
- 10.340 million viewers
- 6.5/11 HH
- 3.5/11 A18-49
8:15-8:30
- 11.388 million viewers
- 6.9/11 HH
- 3.9/12 A18-49
8:30-8:45
- 12.965 million viewers
- 7.7/12 HH
- 4.4/13 A18-49
8:45-9:00
- 13.585 million viewers
- 7.9/12 HH
- 4.8/13 A18-49
9:00-9:15
- 12.787 million viewers
- 7.4/11 HH
- 4.5/12 A18-49
9:15-9:30
- 12.545 million viewers
- 4.5/11 HH
- 4.5/11 A18-49
9:30-9:45
- 12.656 million viewers
- 7.3/11 HH
- 4.4/11 A18-49
9:45-10:00
- 13.685 million viewers
- 8.0/12 HH
- 4.9/12 A18-49
I'm checked out of the audition process for X Factor. Nothing revolutionary or new feeling to it. I will however be back for the "boot camp" section because that's where XF really starts differentiating itself from at least Idol, and really from most other singing competitions.
Revenge Series Premiere Quarter Hour Breakdown
REVENGE
10:01-10:15
- 11.098 million viewers (out of Modern Family's final minute of 16.365 million)
- 7.1/11 HH (MF: 9.5/15)
- 3.8/10 A18-49 (MF: 6.8/17)
10:15-10:30
- 9.980 million viewers
- 6.6/11 HH
- 3.3/9 A18-49
10:30-10:45
- 9.606 million viewers
- 6.5/11 HH
- 3.1/8 A18-49
10:45-11:00
- 9.449 million viewers
- 6.4/11 HH
- 3.0/8 A18-49
Lots of immediate drop-off, clearly, but after that the ratings are actually fairly steady. We'll see how it's affected by the presumably significantly smaller lead-in next week (besides just general post-premiere fall-off).
10:01-10:15
- 11.098 million viewers (out of Modern Family's final minute of 16.365 million)
- 7.1/11 HH (MF: 9.5/15)
- 3.8/10 A18-49 (MF: 6.8/17)
10:15-10:30
- 9.980 million viewers
- 6.6/11 HH
- 3.3/9 A18-49
10:30-10:45
- 9.606 million viewers
- 6.5/11 HH
- 3.1/8 A18-49
10:45-11:00
- 9.449 million viewers
- 6.4/11 HH
- 3.0/8 A18-49
Lots of immediate drop-off, clearly, but after that the ratings are actually fairly steady. We'll see how it's affected by the presumably significantly smaller lead-in next week (besides just general post-premiere fall-off).
Wednesday, September 21, 2011
Glee Season Three Premiere Quarter Hour Breakdown
GLEE (again, the Interwebz request machine wins out over my desire to be lazier this season)
8:00-8:15
- 9.378 million viewers
- 5.8/10 HH
- 4.2/13 A18-49
- 4.5/15 A18-34
- 6.4/20 W18-34
8:15-8:30
- 8.809 million viewers
- 5.2/8 HH
- 3.8/11 A18-49
- 4.2/13 A18-34
- 6.1/18 W18-34
8:30-8:45
- 8.586 million viewers
- 5.1/8 HH
- 3.7/10 A18-49
- 4.1/13 A18-34
- 6.0/17 W18-34
8:45-9:00
- 9.919 million viewers
- 5.7/9 HH
- 4.3/11 A18-49
- 4.6/14 A18-34
- 6.7/18 W18-34
9:00-9:01
- 11.397 million viewers
- 6.7/10 HH
- 5.0/13 A18-49
- 5.3/15 A18-34
- 7.7/20 W18-34
8:00-8:15
- 9.378 million viewers
- 5.8/10 HH
- 4.2/13 A18-49
- 4.5/15 A18-34
- 6.4/20 W18-34
8:15-8:30
- 8.809 million viewers
- 5.2/8 HH
- 3.8/11 A18-49
- 4.2/13 A18-34
- 6.1/18 W18-34
8:30-8:45
- 8.586 million viewers
- 5.1/8 HH
- 3.7/10 A18-49
- 4.1/13 A18-34
- 6.0/17 W18-34
8:45-9:00
- 9.919 million viewers
- 5.7/9 HH
- 4.3/11 A18-49
- 4.6/14 A18-34
- 6.7/18 W18-34
9:00-9:01
- 11.397 million viewers
- 6.7/10 HH
- 5.0/13 A18-49
- 5.3/15 A18-34
- 7.7/20 W18-34
Ringer Episode Two Quarter Hour Breakdown
RINGER episode two (please note, this will not be a regular thing, and I don't expect to do it for all new shows... but several requests came in)
9:00-9:15
- 1.968 million viewers
- 1.3/2 HH
- 0.9/2 A18-49
- 0.9/3 A18-34
- 1.2/3 W18-34
9:15-9:30
- 1.773 million viewers
- 1.1/2 HH
- 0.8/2 A18-49
- 0.8/2 A18-34
- 1.1/3 W18-34
9:30-9:45
- 1.979 million viewers
- 1.3/2 HH
- 0.9/2 A18-49
- 0.9/3 A18-34
- 1.3/3 W18-34
9:45-10:00
- 2.057 million viewers
- 1.3/2 HH
- 1.0/2 A18-49
- 1.0/3 A18-34
- 1.4/4 W18-34
As I said last week, 90210 as a lead-in is a weakness for Ringer... and it continues to improve on 90210, but obviously by less this week. Potentially good that the show built by the end (I have no idea what the commercial load situation is for why 9:15-9:30 took a dive).
9:00-9:15
- 1.968 million viewers
- 1.3/2 HH
- 0.9/2 A18-49
- 0.9/3 A18-34
- 1.2/3 W18-34
9:15-9:30
- 1.773 million viewers
- 1.1/2 HH
- 0.8/2 A18-49
- 0.8/2 A18-34
- 1.1/3 W18-34
9:30-9:45
- 1.979 million viewers
- 1.3/2 HH
- 0.9/2 A18-49
- 0.9/3 A18-34
- 1.3/3 W18-34
9:45-10:00
- 2.057 million viewers
- 1.3/2 HH
- 1.0/2 A18-49
- 1.0/3 A18-34
- 1.4/4 W18-34
As I said last week, 90210 as a lead-in is a weakness for Ringer... and it continues to improve on 90210, but obviously by less this week. Potentially good that the show built by the end (I have no idea what the commercial load situation is for why 9:15-9:30 took a dive).
Unforgettable Series Premiere Quarter Hour Breakdown
UNFORGETTABLE
10:00-10:15
- 14.843 million viewers
- 9.4/15 HH
- 3.1/8 A18-49
10:15-10:30
- 14.168 million viewers
- 9.1/15 HH
- 2.9/7 A18-49
10:30-10:45
- 13.851 million viewers
- 8.9/16 HH
- 2.8/7 A18-49
10:45-11:00
- 13.479 million viewers
- 8.6/15 HH
- 2.7/7 A18-49
Better than The Good Wife was pulling by the end of last year post-NCIS: LA, IIRC. Solid if unspectacular... but what do you expect from yet another CBS crime procedural at this point?
10:00-10:15
- 14.843 million viewers
- 9.4/15 HH
- 3.1/8 A18-49
10:15-10:30
- 14.168 million viewers
- 9.1/15 HH
- 2.9/7 A18-49
10:30-10:45
- 13.851 million viewers
- 8.9/16 HH
- 2.8/7 A18-49
10:45-11:00
- 13.479 million viewers
- 8.6/15 HH
- 2.7/7 A18-49
Better than The Good Wife was pulling by the end of last year post-NCIS: LA, IIRC. Solid if unspectacular... but what do you expect from yet another CBS crime procedural at this point?
The New Girl Series Premiere Quarter Hour Breakdown
THE NEW GIRL
9:01-9:15
- 10.538 million viewers
- 6.2/9 HH
- 4.9/13 A18-49
9:15-9:30
- 9.992 million viewers
- 5.9/9 HH
- 4.7/12 A18-49
9:30-9:31
- 10.989 million viewers
- 6.4/10 HH
- 5.3/13 A18-49
What can I say, except great premiere results and we'll see how it holds up next week?
Oh, and the final minute of Glee:
- 11.397 million viewers
- 6.7/10 HH
- 5.0/13 A18-49
Those numbers look much more like immediate New Girl pre-tune in (since it was advertised to start at 9pm, not 9:01pm) than the rest of the Glee premiere's numbers and I don't recall the overrun minutes of Glee from last year being quite so starkly higher than the rest of the program (it's 0.7 A18-49 higher than the 8:45-9:00 portion).
9:01-9:15
- 10.538 million viewers
- 6.2/9 HH
- 4.9/13 A18-49
9:15-9:30
- 9.992 million viewers
- 5.9/9 HH
- 4.7/12 A18-49
9:30-9:31
- 10.989 million viewers
- 6.4/10 HH
- 5.3/13 A18-49
What can I say, except great premiere results and we'll see how it holds up next week?
Oh, and the final minute of Glee:
- 11.397 million viewers
- 6.7/10 HH
- 5.0/13 A18-49
Those numbers look much more like immediate New Girl pre-tune in (since it was advertised to start at 9pm, not 9:01pm) than the rest of the Glee premiere's numbers and I don't recall the overrun minutes of Glee from last year being quite so starkly higher than the rest of the program (it's 0.7 A18-49 higher than the 8:45-9:00 portion).
Tuesday, September 20, 2011
Two and a Half Men Season Premiere Quarter Hour Breakdown
Ugh, FINE, Internet, you win this round.
TWO AND A HALF MEN
9:00-9:15
- 27.435 million viewers
- 16.0/23 HH
- 10.2/24 A18-49
9:15-9:30
- 29.899 million viewers
- 17.3/25 HH
- 11.0/26 A18-49
9:30-9:31
- 31.025 million viewers
- 17.7/25 HH
- 11.4/26 A18-49
TWO AND A HALF MEN
9:00-9:15
- 27.435 million viewers
- 16.0/23 HH
- 10.2/24 A18-49
9:15-9:30
- 29.899 million viewers
- 17.3/25 HH
- 11.0/26 A18-49
9:30-9:31
- 31.025 million viewers
- 17.7/25 HH
- 11.4/26 A18-49
The Playboy Club Series Premiere Quarter Hour Breakdown
THE PLAYBOY CLUB
10:00-10:15
- 5.557 million viewers
- 3.7/6 HH
- 1.8/4 A18-49
10:15-10:30
- 5.158 million viewers
- 3.5/5 HH
- 1.7/4 A18-49
10:30-10:45
- 4.620 million viewers
- 3.2/5 HH
- 1.5/4 A18-49
10:45-11:00
- 4.765 million viewers
- 3.3/6 HH
- 1.5/4 A18-49
Elsewhere on television... this happened. It should be noted that while The Sing-Off had 99% coverage, Playboy had 98% coverage (what with those pesky affiliates not airing it). Monday nights on NBC this fall were a major headscratcher for me to begin with (Sing-Off crowded out by DWTS and Hell's Kitchen finale... too many reality shows at once, if you ask me, perhaps without HK on next week some of those younger viewers TSO lost versus last winter will come back to it... but, still, what's the cross-appeal between TSO and Playboy?), so I'm not at all surprised viewers didn't, um, cottontail to this...
10:00-10:15
- 5.557 million viewers
- 3.7/6 HH
- 1.8/4 A18-49
10:15-10:30
- 5.158 million viewers
- 3.5/5 HH
- 1.7/4 A18-49
10:30-10:45
- 4.620 million viewers
- 3.2/5 HH
- 1.5/4 A18-49
10:45-11:00
- 4.765 million viewers
- 3.3/6 HH
- 1.5/4 A18-49
Elsewhere on television... this happened. It should be noted that while The Sing-Off had 99% coverage, Playboy had 98% coverage (what with those pesky affiliates not airing it). Monday nights on NBC this fall were a major headscratcher for me to begin with (Sing-Off crowded out by DWTS and Hell's Kitchen finale... too many reality shows at once, if you ask me, perhaps without HK on next week some of those younger viewers TSO lost versus last winter will come back to it... but, still, what's the cross-appeal between TSO and Playboy?), so I'm not at all surprised viewers didn't, um, cottontail to this...
2 Broke Girls Series Premiere Quarter Hour Breakdown
2 BROKE GIRLS
9:31-9:45
- 20.467 million viewers (final minute of Two and a Half Men: 31.025 million)
- 12.0/17 HH (out of 17.7/25)
- 7.5/17 A18-49 (out of 11.4/26)
9:45-10:00
- 18.341 million viewers
- 10.9/16 HH
- 6.7/15 A18-49
Y'know... this is actually really solid sampling, given the event status of the Two and a Half Men premiere. Less demo bled from the middle of 2 Broke Girls than left the Up All Night premiere last Wednesday. There was so much curiosity tune-in to 2.5 Men (me, for one, and I've never sat through an entire episode before... plus I'd already seen 2 Broke Girls so didn't record it). We'll have to see how 2 Broke Girls fares out of HIMYM next week (which is likely going to be weaker than the 4.7/13 it posted at 8pm this week... though who knows...)
9:31-9:45
- 20.467 million viewers (final minute of Two and a Half Men: 31.025 million)
- 12.0/17 HH (out of 17.7/25)
- 7.5/17 A18-49 (out of 11.4/26)
9:45-10:00
- 18.341 million viewers
- 10.9/16 HH
- 6.7/15 A18-49
Y'know... this is actually really solid sampling, given the event status of the Two and a Half Men premiere. Less demo bled from the middle of 2 Broke Girls than left the Up All Night premiere last Wednesday. There was so much curiosity tune-in to 2.5 Men (me, for one, and I've never sat through an entire episode before... plus I'd already seen 2 Broke Girls so didn't record it). We'll have to see how 2 Broke Girls fares out of HIMYM next week (which is likely going to be weaker than the 4.7/13 it posted at 8pm this week... though who knows...)
Friday, September 16, 2011
The Secret Circle Series Premiere Quarter Hour Breakdown
THE SECRET CIRCLE
9:00-9:15
- 3.279 million viewers
- 2.1/3 HH
- 1.4/4 A18-49
- 1.4/4 A18-34
- 1.9/6 W18-34
9:15-9:30
- 2.960 million viewers
- 1.9/3 HH
- 1.2/3 A18-49
- 1.2/4 A18-34
- 1.9/5 W18-34
9:30-9:45
- 2.871 million viewers
- 1.8/3 HH
- 1.2/3 A18-49
- 1.2/4 A18-34
- 1.9/5 W18-34
9:45-10:00
- 3.080 million viewers
- 1.9/3 HH
- 1.3/3 A18-49
- 1.3/4 A18-34
- 1.9/5 W18-34
Not a ton to say here. Solid retention both from lead-in and throughout the hour (especially among older demos and teens... oddly just not in the 18-34 range!) Evidently a 1.3 A18-49 is going to be something for the CW to celebrate this season... but there is now a LOT riding on the next couple weeks for post-premiere retention with both Ringer and Secret Circle, not to mention Hart of Dixie now being the netlet's only shot at an immediate break-out success.
9:00-9:15
- 3.279 million viewers
- 2.1/3 HH
- 1.4/4 A18-49
- 1.4/4 A18-34
- 1.9/6 W18-34
9:15-9:30
- 2.960 million viewers
- 1.9/3 HH
- 1.2/3 A18-49
- 1.2/4 A18-34
- 1.9/5 W18-34
9:30-9:45
- 2.871 million viewers
- 1.8/3 HH
- 1.2/3 A18-49
- 1.2/4 A18-34
- 1.9/5 W18-34
9:45-10:00
- 3.080 million viewers
- 1.9/3 HH
- 1.3/3 A18-49
- 1.3/4 A18-34
- 1.9/5 W18-34
Not a ton to say here. Solid retention both from lead-in and throughout the hour (especially among older demos and teens... oddly just not in the 18-34 range!) Evidently a 1.3 A18-49 is going to be something for the CW to celebrate this season... but there is now a LOT riding on the next couple weeks for post-premiere retention with both Ringer and Secret Circle, not to mention Hart of Dixie now being the netlet's only shot at an immediate break-out success.
Thursday, September 15, 2011
Up All Night and Free Agents Series Premiere Quarter Hour Breakdowns
UP ALL NIGHT
10:00-10:15
- 12.612 million viewers
- 7.6/12 HH
- 4.2/11 A18-49
10:15-10:30
- 9.282 million viewers
- 5.7/9 HH
- 3.3/9 A18-49
As I expected / postulated on Twitter, Up All Night's "solid" premiere following America's Got Talent's finale wasn't really so solid, given that steep 15-minute drop-off (and one can assume ratings continued to slide through the last 15 minutes, contributing to Free Agents' starting point). Personally liked it and hope it finds an audience at 8pm this Wednesday... but I wouldn't be surprised if sunk to low-2s (or below) next week as it has to self-start and the hour will (or all the pundits assume it will) be swamped by the X-Factor's premiere.
FREE AGENTS
10:30-10:45
- 6.546 million viewers
- 4.2/7 HH
- 2.2/6 A18-49
10:45-11:00
- 5.694 million viewers
- 3.7/7 HH
- 1.9/5 A18-49
The positive news is that it didn't bleed throughout nearly as much as UAN did... but these results still aren't spectacular (and it did still lose almost 1 million viewers). Gonna be a rough road ahead as this show tries to find itself (or isn't allowed to).
10:00-10:15
- 12.612 million viewers
- 7.6/12 HH
- 4.2/11 A18-49
10:15-10:30
- 9.282 million viewers
- 5.7/9 HH
- 3.3/9 A18-49
As I expected / postulated on Twitter, Up All Night's "solid" premiere following America's Got Talent's finale wasn't really so solid, given that steep 15-minute drop-off (and one can assume ratings continued to slide through the last 15 minutes, contributing to Free Agents' starting point). Personally liked it and hope it finds an audience at 8pm this Wednesday... but I wouldn't be surprised if sunk to low-2s (or below) next week as it has to self-start and the hour will (or all the pundits assume it will) be swamped by the X-Factor's premiere.
FREE AGENTS
10:30-10:45
- 6.546 million viewers
- 4.2/7 HH
- 2.2/6 A18-49
10:45-11:00
- 5.694 million viewers
- 3.7/7 HH
- 1.9/5 A18-49
The positive news is that it didn't bleed throughout nearly as much as UAN did... but these results still aren't spectacular (and it did still lose almost 1 million viewers). Gonna be a rough road ahead as this show tries to find itself (or isn't allowed to).
Wednesday, September 14, 2011
Ringer Series Premiere Quarter Hour Breakdown
RINGER
9:00-9:15
- 2.863 million viewers
- 1.8/3 HH
- 1.3/4 A18-49
- 1.2/4 A18-34
- 1.6/4 W18-34
9:15-9:30
- 2.737 million viewers
- 1.8/3 HH
- 1.2/3 A18-49
- 1.1/3 A18-34
- 1.5/4 W18-34
9:30-9:45
- 2.949 million viewers
- 1.9/3 HH
- 1.3/3 A18-49
- 1.2/4 A18-34
- 1.6/5 W18-34
9:45-10:00
- 2.810 million viewers
- 1.8/3 HH
- 1.2/3 A18-49
- 1.1/3 A18-34
- 1.6/4 W18-34
Not sure where the commercial loads were. Seems to act like the Nikita premiere from last season, 0.2 lower in each of the listed key demos (and 0.4 down in A50+, 1.0/2 vs 1.4/3), although Nikita had a far stronger lead-in with The Vampire Diaries (and Nikita fell in key demos versus that, while rising in older viewers) than Ringer had with 90210 (improving in every demo I see, only tying in T12-17 at 0.6/2). Always good for a series to not see huge decreases at the first 15 minute mark (people see what it's about then say "not for me") but this is, obviously, not a huge hit out of the box... and one where weeks two, three, and four will really tell the tale. Perhaps the two scheduled replays will help.
9:00-9:15
- 2.863 million viewers
- 1.8/3 HH
- 1.3/4 A18-49
- 1.2/4 A18-34
- 1.6/4 W18-34
9:15-9:30
- 2.737 million viewers
- 1.8/3 HH
- 1.2/3 A18-49
- 1.1/3 A18-34
- 1.5/4 W18-34
9:30-9:45
- 2.949 million viewers
- 1.9/3 HH
- 1.3/3 A18-49
- 1.2/4 A18-34
- 1.6/5 W18-34
9:45-10:00
- 2.810 million viewers
- 1.8/3 HH
- 1.2/3 A18-49
- 1.1/3 A18-34
- 1.6/4 W18-34
Not sure where the commercial loads were. Seems to act like the Nikita premiere from last season, 0.2 lower in each of the listed key demos (and 0.4 down in A50+, 1.0/2 vs 1.4/3), although Nikita had a far stronger lead-in with The Vampire Diaries (and Nikita fell in key demos versus that, while rising in older viewers) than Ringer had with 90210 (improving in every demo I see, only tying in T12-17 at 0.6/2). Always good for a series to not see huge decreases at the first 15 minute mark (people see what it's about then say "not for me") but this is, obviously, not a huge hit out of the box... and one where weeks two, three, and four will really tell the tale. Perhaps the two scheduled replays will help.
Tuesday, September 13, 2011
Plans for the 2011-2012 season
Hey all!
You may have noticed it's been a long, long time since I'd updated on things like ratings or crap I'm watching on the television machine, or what have you. Still in the throes of novel writing. It's an arduous, but rewarding process (that I'm happy to say / believe / hope that I'm improving on as I keep plugging away at this whole prose-writing)... and one that has been slowed down some by the Return of Day Job / End of Hiatus.
Anyway. Let's talk shop aka posting TV ratings.
Tonight kinda-sorta begins the roll-out of the 2011-2012 fall season with Ringer. It seems like final broadcast program averages do get out there without me having to type them up... which makes me happy. I will still provide 15-minute breakdowns of premiere episodes of new series, since I don't see those out there. So, look to here and twitter and wherever else decides to copy-and-paste to their own websites (and hopefully credit me).
Cable... at least until I'm done with this first draft phase of the novel, I'm still going to refrain from doing any cable ratings posting. I've been providing data to friends at http://www.thefutoncritic.com and will continue to do so, so check there for cable numbers.
I'll try to be better during the season, now that my busy, concentrated, laser-focus summer is done, with responding to twitter requests for specific show ratings / demo info in case they don't show up elsewhere.
XOXO
- Travis
You may have noticed it's been a long, long time since I'd updated on things like ratings or crap I'm watching on the television machine, or what have you. Still in the throes of novel writing. It's an arduous, but rewarding process (that I'm happy to say / believe / hope that I'm improving on as I keep plugging away at this whole prose-writing)... and one that has been slowed down some by the Return of Day Job / End of Hiatus.
Anyway. Let's talk shop aka posting TV ratings.
Tonight kinda-sorta begins the roll-out of the 2011-2012 fall season with Ringer. It seems like final broadcast program averages do get out there without me having to type them up... which makes me happy. I will still provide 15-minute breakdowns of premiere episodes of new series, since I don't see those out there. So, look to here and twitter and wherever else decides to copy-and-paste to their own websites (and hopefully credit me).
Cable... at least until I'm done with this first draft phase of the novel, I'm still going to refrain from doing any cable ratings posting. I've been providing data to friends at http://www.thefutoncritic.com and will continue to do so, so check there for cable numbers.
I'll try to be better during the season, now that my busy, concentrated, laser-focus summer is done, with responding to twitter requests for specific show ratings / demo info in case they don't show up elsewhere.
XOXO
- Travis
Monday, June 27, 2011
The Battle of Two of My Favorite Scripts' Screeners - AWAKE and THE RIVER
THE RIVER (ABC) - One of my favorite scripts. Screener is about 6 minutes too long, so stuff will have to get cut for air. Also, VFX are not done, so it's a tad difficult to fully "judge" a pilot that seems fairly VFX-heavy. That's the pre-amble to a "hm, that didn't come off quite as well as I envisioned it in my head based on the script." I have absolutely no idea how this is a series (granted, that was a problem I had with the script, too, but it didn't seem like as big of a problem versus the "I'm so in love" of my reaction). And this is going to sound really petty, but the guy who plays the lead? He frightens me. Like, in a vaguely Skeletor way. I want him to eat something at craft services. This is a problem in that he's, I think, supposed to be the center of the ensemble (though Leslie Hope really seems to be that, for now). This is a very horror movie-esque concept (maybe that was the point of hiring a skeleton as the male lead?) and the execution keeps it very much in that genre... to the point of me wanting to scream at the characters "NO, DON'T OPEN THAT DOOR" and "YOU'RE BLEEDING, DON'T JUMP INTO THE AMAZON RIVER". Sigh. I hate being disappointed and I'm blind-faith chalking this up to it being long and incomplete and without fully realized music. Fingers crossed whatever airs midseason works better for me.
AWAKE (NBC) - Also one of my favorite scripts! Probably the favorite, from an intellectual level. And there's a lot of intellectual to what shows up on screen. If you'll recall the concept, this is a police character-cedural where the lead, Jason Isaacs' Michael Britten (in the script it was Mark... oh why oh why do things so important have to change? Damn you, clearances! LOL) lives in two worlds thanks to a car accident: one in which his wife died and one in which his teenage son died. These worlds are populated by different crimes, different detective partners, different psychologists, and slightly different color schemes (the son worlds is a bit bluer, the wife's world has a bit of an orange hue). You feel for this man, with people treading carefully around him and tiptoeing around things and both psychologists insisting in their different ways that their world is real and why the other world is fake. Things do spin out of control, or seem to, but surprisingly there was a somewhat staid emotionality to the whole thing. Not a ton of highs and lows, maybe because (even having read the script) there were times that I was thinking "wait, what world are we in?" I'm entirely convinced that this will be a problem for the general viewing public going forward, especially because Steve Harris's detective character (in one world, Britten's partner, in another worlds, just another detective) isn't kept entirely to the sidelines in the world where he isn't Britten's partner. It's easier with Wilmer Valderamma's dubiously-accented character, because in one world, he's Britten's partner and in the other world he's just a uniformed cop. There is some hint at a longer-arc plot (dealing with both worlds perhaps representing clues in a giant mental puzzle Britten has constructed for himself to either deal with his guilt about the car accident or figure out some greater truth / possible conspiracy mystery) that will definitely keep me coming back even if it's only a couple D-story runner beats, USA-style, per episode. I've also managed to convince myself that there's some third reality that will be revealed at the end of the first season where either Britten is in a coma and dealing with things there or there's some world where both loved ones have died... much like I convinced myself that Bob had a secret third wife or at the very least an evil septuplet that would've been revealed at the end of the first season of Kyle Killen's dearly/prematurely departed Lone Star.
PS - There was no reason to make this a "battle" and it really isn't... I just felt like rattling off a couple short reviews in one fell swoop.
PPS - Still really annoyed at the networks in general that this fall is (on the drama side) essentially devoid of anything I want to shout my adoration of from on high (yes, there are things I liked), while I can't wait for NBC's midseason for more of Smash and Awake.
AWAKE (NBC) - Also one of my favorite scripts! Probably the favorite, from an intellectual level. And there's a lot of intellectual to what shows up on screen. If you'll recall the concept, this is a police character-cedural where the lead, Jason Isaacs' Michael Britten (in the script it was Mark... oh why oh why do things so important have to change? Damn you, clearances! LOL) lives in two worlds thanks to a car accident: one in which his wife died and one in which his teenage son died. These worlds are populated by different crimes, different detective partners, different psychologists, and slightly different color schemes (the son worlds is a bit bluer, the wife's world has a bit of an orange hue). You feel for this man, with people treading carefully around him and tiptoeing around things and both psychologists insisting in their different ways that their world is real and why the other world is fake. Things do spin out of control, or seem to, but surprisingly there was a somewhat staid emotionality to the whole thing. Not a ton of highs and lows, maybe because (even having read the script) there were times that I was thinking "wait, what world are we in?" I'm entirely convinced that this will be a problem for the general viewing public going forward, especially because Steve Harris's detective character (in one world, Britten's partner, in another worlds, just another detective) isn't kept entirely to the sidelines in the world where he isn't Britten's partner. It's easier with Wilmer Valderamma's dubiously-accented character, because in one world, he's Britten's partner and in the other world he's just a uniformed cop. There is some hint at a longer-arc plot (dealing with both worlds perhaps representing clues in a giant mental puzzle Britten has constructed for himself to either deal with his guilt about the car accident or figure out some greater truth / possible conspiracy mystery) that will definitely keep me coming back even if it's only a couple D-story runner beats, USA-style, per episode. I've also managed to convince myself that there's some third reality that will be revealed at the end of the first season where either Britten is in a coma and dealing with things there or there's some world where both loved ones have died... much like I convinced myself that Bob had a secret third wife or at the very least an evil septuplet that would've been revealed at the end of the first season of Kyle Killen's dearly/prematurely departed Lone Star.
PS - There was no reason to make this a "battle" and it really isn't... I just felt like rattling off a couple short reviews in one fell swoop.
PPS - Still really annoyed at the networks in general that this fall is (on the drama side) essentially devoid of anything I want to shout my adoration of from on high (yes, there are things I liked), while I can't wait for NBC's midseason for more of Smash and Awake.
Tuesday, June 21, 2011
Why The Killing Finale, Though Awful, Was Actually Insanely Smart
Shut up, I know.
Okay, that post title is slightly misleading because, much like the investigation through the season and even in the episode (on day thirteen), the finale of The Killing was stupid and I hated it (SHOCK!)
Like some, I started seeing the decline of quality in the show around episode three and then really began to lose interest a couple weeks later, but kept at it because, hey, it's AMC and because I did want to know who the eff killed Rosie Larsen (despite having no idea who she was). With the exception of the episode "Missing" two weeks ago, the season (and, for me, the series) was a jumbled mash up of grief-porn (the Larsens), rapidly vacillating political misfortunes and one-upmanship (Richmond), and a fearsome combination of terrible parenting (Linden) and terrible policework (Linden/Holder).
But all of that has already been said, and been said better (I particularly love Mo Ryan's rage-spiral diatribe).
Here's the thing that no one has said: the finale, and the choice to not solve the murder (because we collective conspiracy theorists known as mystery television viewers won't buy that Richmond dunit if there's falsified evidence and a shadowy, unseen person presumably driving the car Holder stepped into in the "shocking final five minutes"), was - in one very double-edged way - a stroke of genius from a business perspective.
For all the talk of "I'll never watch the show again" (which, again, I am part of... but, y'know, the vociferous echo chamber of TV criticism and of Twitter rarely actually translates to things like ratings), the show did its job in tantalizing viewers to come back and in demanding AMC pick it up for a second season.
If you still want to know who killed Rosie Larsen, supposedly the one thing that dragged us through the rain and muck of season one... GUESS WHAT? You have to tune in to season two.
AMC, in fact, has to pick up season two. Why? Because buying a whodunit that doesn't answer the initial whodunit question and selling it to your audience as a whodunit about that question... and then cancelling the show when the plan in place (that you knew about and, probably, should have demanded be changed, again, double-edged sword) offered no true resolution?
AMC was painted into a corner (by itself, I truly believe, because it didn't make a demand for closure per the above). It had to pick up a second season of The Killing.
So, there's controversy that's going to be a-brewing around the show. That doesn't necessarily translate into ratings... but I think that it will. Because, somewhere out there, a lot of people still want to know the answer to that damn question. Who killed Rosie Larsen?
It'd be a lot easier to stomach if the ride to the infuriating finale hadn't been an F5 tornado of awful, or if the show had given us ANY reason to want to watch it outside of answering the whodunit (i.e. Twin Peaks' insane quirkiness and Lynch-y-ness, or Veronica Mars' plucky heroine bringing us back to season two even though we found out who killed Lilly Kane).
My, probably terribly off-base, uneducated, blindly-hopeful guess for season two that, again, I'm not watching? The show actually becomes good. The infuriating finale is a ploy. The various out-of-left-field twists get paid off. The investigation truly takes off. And the people who decided to stick around find out who killed Rosie Larsen in a satisfying manner that doesn't let them off the hook for 9 months because the answer comes in the middle of the season and, hey, why not watch next week because the episode ends with the next murder mystery to cross Linden's desk, for her to over-identify with a victim we don't know and pursue in a convoluted way.
But it's just next week. You'll watch. You'll get sucked in. And you'll be annoyed all over again when the season (and, deservedly, series this go-around) ends with another "jaw dropping" cliffhanger that wasn't led up to or hinted at, at all.
Then again, maybe it was just awful and everyone involved is stupid and should be fired and, while collecting unemployment checks, create a time machine to go back and stop The Killing from ever happening.
Meanwhile, can I just say that if the stuff that had happened at the end of the season finale had happened at, say, episode 4? I might not be so pissed off, and I'd *certainly* be watching next week to see what happened.
Which, I guess, just highlights one of the key problems the show had, regardless of what you thought of the finale or the ending: terrible, terrible pacing. But, again, other people have ranted on that far better than I care to.
And, yes, I realize I'm about 36 hours late to the "rant about The Killing finale" party.
Okay, that post title is slightly misleading because, much like the investigation through the season and even in the episode (on day thirteen), the finale of The Killing was stupid and I hated it (SHOCK!)
Like some, I started seeing the decline of quality in the show around episode three and then really began to lose interest a couple weeks later, but kept at it because, hey, it's AMC and because I did want to know who the eff killed Rosie Larsen (despite having no idea who she was). With the exception of the episode "Missing" two weeks ago, the season (and, for me, the series) was a jumbled mash up of grief-porn (the Larsens), rapidly vacillating political misfortunes and one-upmanship (Richmond), and a fearsome combination of terrible parenting (Linden) and terrible policework (Linden/Holder).
But all of that has already been said, and been said better (I particularly love Mo Ryan's rage-spiral diatribe).
Here's the thing that no one has said: the finale, and the choice to not solve the murder (because we collective conspiracy theorists known as mystery television viewers won't buy that Richmond dunit if there's falsified evidence and a shadowy, unseen person presumably driving the car Holder stepped into in the "shocking final five minutes"), was - in one very double-edged way - a stroke of genius from a business perspective.
For all the talk of "I'll never watch the show again" (which, again, I am part of... but, y'know, the vociferous echo chamber of TV criticism and of Twitter rarely actually translates to things like ratings), the show did its job in tantalizing viewers to come back and in demanding AMC pick it up for a second season.
If you still want to know who killed Rosie Larsen, supposedly the one thing that dragged us through the rain and muck of season one... GUESS WHAT? You have to tune in to season two.
AMC, in fact, has to pick up season two. Why? Because buying a whodunit that doesn't answer the initial whodunit question and selling it to your audience as a whodunit about that question... and then cancelling the show when the plan in place (that you knew about and, probably, should have demanded be changed, again, double-edged sword) offered no true resolution?
AMC was painted into a corner (by itself, I truly believe, because it didn't make a demand for closure per the above). It had to pick up a second season of The Killing.
So, there's controversy that's going to be a-brewing around the show. That doesn't necessarily translate into ratings... but I think that it will. Because, somewhere out there, a lot of people still want to know the answer to that damn question. Who killed Rosie Larsen?
It'd be a lot easier to stomach if the ride to the infuriating finale hadn't been an F5 tornado of awful, or if the show had given us ANY reason to want to watch it outside of answering the whodunit (i.e. Twin Peaks' insane quirkiness and Lynch-y-ness, or Veronica Mars' plucky heroine bringing us back to season two even though we found out who killed Lilly Kane).
My, probably terribly off-base, uneducated, blindly-hopeful guess for season two that, again, I'm not watching? The show actually becomes good. The infuriating finale is a ploy. The various out-of-left-field twists get paid off. The investigation truly takes off. And the people who decided to stick around find out who killed Rosie Larsen in a satisfying manner that doesn't let them off the hook for 9 months because the answer comes in the middle of the season and, hey, why not watch next week because the episode ends with the next murder mystery to cross Linden's desk, for her to over-identify with a victim we don't know and pursue in a convoluted way.
But it's just next week. You'll watch. You'll get sucked in. And you'll be annoyed all over again when the season (and, deservedly, series this go-around) ends with another "jaw dropping" cliffhanger that wasn't led up to or hinted at, at all.
Then again, maybe it was just awful and everyone involved is stupid and should be fired and, while collecting unemployment checks, create a time machine to go back and stop The Killing from ever happening.
Meanwhile, can I just say that if the stuff that had happened at the end of the season finale had happened at, say, episode 4? I might not be so pissed off, and I'd *certainly* be watching next week to see what happened.
Which, I guess, just highlights one of the key problems the show had, regardless of what you thought of the finale or the ending: terrible, terrible pacing. But, again, other people have ranted on that far better than I care to.
And, yes, I realize I'm about 36 hours late to the "rant about The Killing finale" party.
Thursday, June 16, 2011
Pilot Screener Reviewlets - CW Dramas
- Hart of Dixie: some of the small town / southern quirkiness was, blissfully, leeched out between script and screen. It's still there, but BlueBell is now way more tolerable. The biggest problem here is Rachel Bilson. I love her to death, but, honey, I just don't buy you as a world class surgeon who doesn't have bedside manner. You exude bedside manner... at least of the candy striper variety. Just not, y'know... brilliant doctor. Putting that aside, especially because the show is about the soap and the town and not Summer Roberts, MD, there's a charm to this show that I, unexpectedly, might sample more of.
- Ringer: SMG is back. You're either going to watch it or not, you don't need to know my opinion. Stuff cut for time from the script, mostly in the immediate post-Siobhan disappearance stuff where Bridget first decides to try and become her twin sister. Long scenes became little visual shorthand, and it works. Love the use of mirrors throughout. It was a CBS show, as you all know... and as that it feels very different from everything else on CW. Older, a little more mature, a little less obsessed with romantic soap. I'm still intrigued. It's still a big buy that the identical twins were so estranged that Siobhan didn't tell her husband that Bridget even existed. But, y'know, that's the deal with premise pilots.
- Secret Circle: still a work in progress, if you ask me. I stand by my "I will see what the show is come episode 4" stance from the script review. There are a lot of characters, few of which really jump out, so hopefully, like in Vampire Diaries, they will claw their way to the forefront as we get to know them better. I like Britt Robertson (residual Life UneXpected feelings), who is really the only character we get a feel for... I'm not loving Thomas Dekker. I didn't feel the smoldering sexual tension you need between them (or between him and his character's actual girlfriend). There's a truly pretty, magical moment between their characters in the middle of the woods, when they make water droplets rise. Just gorgeous. The was also a lot cut from the script I read, particularly in the back half, and it results in a far better, open-ended semi-cliffhanger than the script had (where the circle of witches, like, came together and chanted around a bonfire or something, all their problems solved and personal issues put to bed, IIRC). I also have a bit of a fear that the show is just going to be a carbon copy of TVD, minus the danger inherent in vampires. It needs different tricks up its sleeve.
Not yet watched: Awakening, Cooper & Stone, Danni Lowinski, Heavenly (which I hear would have been picked up, except for the whole Ringer thing)
- Ringer: SMG is back. You're either going to watch it or not, you don't need to know my opinion. Stuff cut for time from the script, mostly in the immediate post-Siobhan disappearance stuff where Bridget first decides to try and become her twin sister. Long scenes became little visual shorthand, and it works. Love the use of mirrors throughout. It was a CBS show, as you all know... and as that it feels very different from everything else on CW. Older, a little more mature, a little less obsessed with romantic soap. I'm still intrigued. It's still a big buy that the identical twins were so estranged that Siobhan didn't tell her husband that Bridget even existed. But, y'know, that's the deal with premise pilots.
- Secret Circle: still a work in progress, if you ask me. I stand by my "I will see what the show is come episode 4" stance from the script review. There are a lot of characters, few of which really jump out, so hopefully, like in Vampire Diaries, they will claw their way to the forefront as we get to know them better. I like Britt Robertson (residual Life UneXpected feelings), who is really the only character we get a feel for... I'm not loving Thomas Dekker. I didn't feel the smoldering sexual tension you need between them (or between him and his character's actual girlfriend). There's a truly pretty, magical moment between their characters in the middle of the woods, when they make water droplets rise. Just gorgeous. The was also a lot cut from the script I read, particularly in the back half, and it results in a far better, open-ended semi-cliffhanger than the script had (where the circle of witches, like, came together and chanted around a bonfire or something, all their problems solved and personal issues put to bed, IIRC). I also have a bit of a fear that the show is just going to be a carbon copy of TVD, minus the danger inherent in vampires. It needs different tricks up its sleeve.
Not yet watched: Awakening, Cooper & Stone, Danni Lowinski, Heavenly (which I hear would have been picked up, except for the whole Ringer thing)
Pilot Screener Reviewlets - NBC Dramas
- 17th Precinct: this makes me sad, because I have an incredible affinity for many of the actors involved in various other projects (it's not just BSG alums). There's this INCREDIBLY awkward and unnecessary and dry opening saga-sell of "imagine if the world were based on magic instead of science" that REALLY makes the whole proceeding feel like Law & Order: Spectral Victims Unit. All of the silly/obvious "Lee Adama is having an affair with Gaius Baltar's wife" stuff was dropped (presumably for time). The biggest problem here is that in a world of magic without clearly set rules... anything is possible. Crime and murder investigations hinge on things that can be pulled out of a hat. Granted, a lot of the forensic science on other real-world-set procedural shows feels like magic. This world of magic needed to be the MacGuffin into a human story about the people who live in this world and the long-arc story of the Stoics (a group of terrorists who use science, not magic). Instead... magic feels like the only thing being offered up. This needed some reworking. It could've been something. It's not.
- Grimm: I had a terrible reaction to the script. It's not that bad, though I still think the main character is kind of a terrible detective. It just leaves me kind of cold. There's no reason why Nick had to stay in the dark about his lineage, and it's unexplained why his aunt allowed him to stay that way. It's also entirely arbitrary-feeling why he starts to see things. I'll probably even watch the second episode to see if the mythology deepens. The effects are good.
- The Playboy Club: no woman is going to watch this show. And, given that it's a broadcast show, it's not like there's even the promise of HBO-style nudity to attract men to it. The opening has a ton of flash, but the physicality of the accidental murder that takes place is terrible. I think the actress who plays Carol Lynn is terribly miscast. There are going to be a ton of Mad Men comparisons, of course, so here's what I'll say: YOU ARE NO JOAN HOLLOWAY. Basically, I think someone said "let's do a show set in the 1960s about playboy bunnies" and NBC bought it, then they said "oh, crap, there's no show here" so they added organized crime into it. The only part of the show I have any interest in following is the world of the secretly-lesbian bunny and her gay husband... but that's, y'know, not what the show is about, really. It's just a side story for one of the characters. It's not boring like Pan Am was, of the two 1963-set series, but it's not compelling.
- Prime Suspect: a character-cedural about the problems of being a female homicide detective in a precinct with a boys club feels very ten years ago. I don't mind Maria Bello as Jane. I just don't find this story to be particularly modern. It needed something more, a little zhuzh. Doesn't have it.
- Smash: hated the script. Thankfully, a lot of the seedier elements were taken out. The ending was changed SIGNIFICANTLY, which is welcome because it left a horrid taste in my mouth when I read it. There's even a cliffhanger, of sorts... you don't know who has been cast as Marilyn (in the script, it was a foregone conclusion), and there are insanely compelling reasons to route for both of the women who are up for the part. This show belongs to Kat McPhee and Megan Hilty. The songs were changed from the script and feel relevant to the story. "Let Me Be Your Star" is far and away a better original number than any original song thus far on Glee. I don't think this is going to be a show all about "when are they gonna sing a song that I can download?" It just... it came together. It feels special. Hands down, my favorite screener so far. Cannot wait for this show. Hope it's a huge hit. Also hope they can somehow work it out that they only make a clean, crisp, 13-episode season every year that keeps the quality up to a cable standard (only having the 3 writers, and them writing 22 episodes a year, really screwed Glee up after those first 13 in Fall 2009).
- Wonder Woman: someone pass me the crow. I need to eat it. I feel like I was the only person on teh Interwebz who thought this might be, y'know, a viable show. I saw the potential camp in the script. The script needed help, lots of help. But it went from probably-awful with brief flashes of fun to a deadly dull, serious, pathos-laden drama. The only person who seemed to be having any fun was Liz Hurley, who was marvelous at chewing the scenery (while, inexplicably wearing the same dress in every scene despite being a huge CEO and the story taking place over multiple days). If everyone had the tone she brought to it, this show could've been something. I don't fault Palicki here, and hope she comes out of this unscathed because she did what she was asked. The whole Diana Prince side of her character made even less sense as filmed... we really needed a plot about Wonder Woman joining Facebook through her secret identity? You have to laugh at some of the production choices, too. The ridiculous grandstanding scene where Diana Themyscira verbally bitch-slaps THE UNITED STATES SENATE became a terse diatribe to a single Senator over wine at a Los Angeles fine dining establishment.
Not yet watched: Awake, A Mann's World, Metro (fka SILA), Reconstruction
- Grimm: I had a terrible reaction to the script. It's not that bad, though I still think the main character is kind of a terrible detective. It just leaves me kind of cold. There's no reason why Nick had to stay in the dark about his lineage, and it's unexplained why his aunt allowed him to stay that way. It's also entirely arbitrary-feeling why he starts to see things. I'll probably even watch the second episode to see if the mythology deepens. The effects are good.
- The Playboy Club: no woman is going to watch this show. And, given that it's a broadcast show, it's not like there's even the promise of HBO-style nudity to attract men to it. The opening has a ton of flash, but the physicality of the accidental murder that takes place is terrible. I think the actress who plays Carol Lynn is terribly miscast. There are going to be a ton of Mad Men comparisons, of course, so here's what I'll say: YOU ARE NO JOAN HOLLOWAY. Basically, I think someone said "let's do a show set in the 1960s about playboy bunnies" and NBC bought it, then they said "oh, crap, there's no show here" so they added organized crime into it. The only part of the show I have any interest in following is the world of the secretly-lesbian bunny and her gay husband... but that's, y'know, not what the show is about, really. It's just a side story for one of the characters. It's not boring like Pan Am was, of the two 1963-set series, but it's not compelling.
- Prime Suspect: a character-cedural about the problems of being a female homicide detective in a precinct with a boys club feels very ten years ago. I don't mind Maria Bello as Jane. I just don't find this story to be particularly modern. It needed something more, a little zhuzh. Doesn't have it.
- Smash: hated the script. Thankfully, a lot of the seedier elements were taken out. The ending was changed SIGNIFICANTLY, which is welcome because it left a horrid taste in my mouth when I read it. There's even a cliffhanger, of sorts... you don't know who has been cast as Marilyn (in the script, it was a foregone conclusion), and there are insanely compelling reasons to route for both of the women who are up for the part. This show belongs to Kat McPhee and Megan Hilty. The songs were changed from the script and feel relevant to the story. "Let Me Be Your Star" is far and away a better original number than any original song thus far on Glee. I don't think this is going to be a show all about "when are they gonna sing a song that I can download?" It just... it came together. It feels special. Hands down, my favorite screener so far. Cannot wait for this show. Hope it's a huge hit. Also hope they can somehow work it out that they only make a clean, crisp, 13-episode season every year that keeps the quality up to a cable standard (only having the 3 writers, and them writing 22 episodes a year, really screwed Glee up after those first 13 in Fall 2009).
- Wonder Woman: someone pass me the crow. I need to eat it. I feel like I was the only person on teh Interwebz who thought this might be, y'know, a viable show. I saw the potential camp in the script. The script needed help, lots of help. But it went from probably-awful with brief flashes of fun to a deadly dull, serious, pathos-laden drama. The only person who seemed to be having any fun was Liz Hurley, who was marvelous at chewing the scenery (while, inexplicably wearing the same dress in every scene despite being a huge CEO and the story taking place over multiple days). If everyone had the tone she brought to it, this show could've been something. I don't fault Palicki here, and hope she comes out of this unscathed because she did what she was asked. The whole Diana Prince side of her character made even less sense as filmed... we really needed a plot about Wonder Woman joining Facebook through her secret identity? You have to laugh at some of the production choices, too. The ridiculous grandstanding scene where Diana Themyscira verbally bitch-slaps THE UNITED STATES SENATE became a terse diatribe to a single Senator over wine at a Los Angeles fine dining establishment.
Not yet watched: Awake, A Mann's World, Metro (fka SILA), Reconstruction
Pilot Screener Reviewlets - FOX Dramas
- Alcatraz: it's Fringe, with Jorge Garcia instead of Joshua Jackson (also: the old guy on the team that forms by the end isn't nearly as entertaining as Walter Bishop, and the cases available in series seem, at least on first blush, to be way too "the same old thing")! I kinda wish it had opened in the present day and just started with the weird mystery popping in the middle of nowhere, instead of the blandly atmospheric mystery-tinged horror film stuff that leads to the "all the prisoners and guards at Alcatraz have disappeared, where did they go?" question. It puts us way ahead of the characters... but, hey, it's the hook, so I understand frontloading it. Loved the first act, focusing on the first Alcatraz prisoner who reappears in the present day. Then act two starts on Sarah Jones and the show, depressingly, becomes a straight procedural until she's sucked into the mystery, and all I wanted to was go back to the criminal.
- Exit Strategy: action movie adrenaline junkie procedural? Something goes wrong on a CIA mission and the team is sent in to fix it and help assets escape a bad situation. Stock characters. It's being retooled, so we'll see what they do with it. If it stays mostly the same... why not have just picked up Human Target for another 13 episodes for an action hour (regardless of the ratings not justifying it)?
- Locke & Key: love, want more, I fear it's more of a miniseries than a 22-episode season, multiple season show and probably really expensive, so that's why it didn't go? Definitely has a "something weird is happening and I, as a human being, would be asking questions and demanding everyone pay attention to it, but it's a television show so meh!" to it. Fingers crossed someone swoops in to pick it up as, perhaps, a 6-hour SyFy mini?
Not yet watched: Touch (it hasn't been filmed... quite liked the feeling I got from the script, though I haven't done a review... but also very concerned with the Tim Kring of it all, having been burned on a worldwide-scope, massive ensemble with intersecting lives, heavily serialized show from him in Heroes)
- Exit Strategy: action movie adrenaline junkie procedural? Something goes wrong on a CIA mission and the team is sent in to fix it and help assets escape a bad situation. Stock characters. It's being retooled, so we'll see what they do with it. If it stays mostly the same... why not have just picked up Human Target for another 13 episodes for an action hour (regardless of the ratings not justifying it)?
- Locke & Key: love, want more, I fear it's more of a miniseries than a 22-episode season, multiple season show and probably really expensive, so that's why it didn't go? Definitely has a "something weird is happening and I, as a human being, would be asking questions and demanding everyone pay attention to it, but it's a television show so meh!" to it. Fingers crossed someone swoops in to pick it up as, perhaps, a 6-hour SyFy mini?
Not yet watched: Touch (it hasn't been filmed... quite liked the feeling I got from the script, though I haven't done a review... but also very concerned with the Tim Kring of it all, having been burned on a worldwide-scope, massive ensemble with intersecting lives, heavily serialized show from him in Heroes)
Pilot Screener Reviewlets - CBS Dramas
- The 2-2: so not my cup of tea, and doesn't succeed on a "CBS procedural" level, either. A headscratcher of a pick up in my book. Slight serialization to it, not sexy, not unique, and not a "everyone focus on solving one murder." Shrug. Reminds me of ABC's The Unusuals, only that had an infectious sense of silliness going for it (oh, and Adam Goldberg in common...)
- A Gifted Man: the whole is not greater than the sum of its parts. Everyone, and I mean everyone, is playing down from what they could be doing elsewhere in this. I mean... what is Margo Martindale doing following up her amazing stint on Justified as Patrick Wilson's semi-sassy secretary!?
- Hail Mary: the hilariousness of Sandra Bullock's character from The Blind Side partnering with a wise-cracking ex-gangbanger to become a PI team needed to be turned up to 11. Feels really odd that their so successful on such an easy case, yet the police are hapless. Only on TV...
- Person of Interest: So, Michael Emerson is kind of playing Ben... with a limp. Everything he says is needlessly mysterious and creepy. Hey, he's got a niche. The concept is that his character is provided with numbers - social security numbers - that a Big Brother-type machine (that can see you through every camera anywhere and can hear your phone conversations and knows who you are) he designed post 9/11 for the government considers irrelevant (as far as massive terrorist type activities), but are actually tips that something criminal is going to go down. The number could be that of a perpetrator, an accomplice, a victim... he doesn't know. He just gets the numbers (through a backdoor he designed... claiming that getting any more information that this would tip someone off). It's an interesting way into a procedural, that will provide plenty of "we thought it was this, but it's actually this... oh wait, we were wrong again!" twists. But part of me wishes that the information, which for much of the pilot is mysterious and seemingly beamed down to Michael Emerson from on high, or aliens, or magic, or something, had remained mysterious. But the other part of me is glad that the series is NOT about the mystery of how he gets the information. That's out of the way, so now it's just investigation, investigation, investigation. I could give or take Caviezel as the shadowy/traumatic-past field operative who gets recruited to be Emerson's primary investigator. Could be something I'm hooked into... could be something that's exactly the same every week and I decide isn't worth my time.
- Unforgettable: oh, my, do I have to swallow my pride on this one. This is almost a perfect CBS procedural and I'm guessing it's going to be the biggest hit of the fall season (though I still won't be watching). Some of the things I hated about the script (the five minutes in the beginning in a NYC cab that, for some reason, only had nostalgic radio stations on it that sent the lead character into uncontrollable flashback memories) are gone. Probably for production reasons, some of the described coolness of Carrie's memory flashes are gone (she could only pop back to what was in her field of vision, everything else was black, the edges were fuzzy), too, which is unfortunate because she is now, like, an infallible superwoman with almost 360 degrees of picture-and-sound-perfect memory. It might have been hard to explain to viewers, too. There's still a bunch of eye-rolling moments in breaking the case, but, whatever.
One of the show's two biggest challenges going forward is going to be bringing the other characters up from a peanut gallery position. Even Dylan Walsh's character, Al, who will be Carrie's partner, seems like little more than someone to talk to. He needs something about him that helps solve murders, so every beat doesn't hinge on something Carrie remembers. Otherwise, yeah, she's superwoman. I think we're supposed to feel a big UST thing between Carrie and Al. Not there, yet. The show's other biggest challenge is going to be explaining how Carrie's abilities help when she ISN'T at/around the scene of the crime when it happens / doesn't have even a little history with the victim. I like Poppy Montgomery as a redhead, but she slips out of her accent on several occasions.
Not yet watched: The Doctor
- A Gifted Man: the whole is not greater than the sum of its parts. Everyone, and I mean everyone, is playing down from what they could be doing elsewhere in this. I mean... what is Margo Martindale doing following up her amazing stint on Justified as Patrick Wilson's semi-sassy secretary!?
- Hail Mary: the hilariousness of Sandra Bullock's character from The Blind Side partnering with a wise-cracking ex-gangbanger to become a PI team needed to be turned up to 11. Feels really odd that their so successful on such an easy case, yet the police are hapless. Only on TV...
- Person of Interest: So, Michael Emerson is kind of playing Ben... with a limp. Everything he says is needlessly mysterious and creepy. Hey, he's got a niche. The concept is that his character is provided with numbers - social security numbers - that a Big Brother-type machine (that can see you through every camera anywhere and can hear your phone conversations and knows who you are) he designed post 9/11 for the government considers irrelevant (as far as massive terrorist type activities), but are actually tips that something criminal is going to go down. The number could be that of a perpetrator, an accomplice, a victim... he doesn't know. He just gets the numbers (through a backdoor he designed... claiming that getting any more information that this would tip someone off). It's an interesting way into a procedural, that will provide plenty of "we thought it was this, but it's actually this... oh wait, we were wrong again!" twists. But part of me wishes that the information, which for much of the pilot is mysterious and seemingly beamed down to Michael Emerson from on high, or aliens, or magic, or something, had remained mysterious. But the other part of me is glad that the series is NOT about the mystery of how he gets the information. That's out of the way, so now it's just investigation, investigation, investigation. I could give or take Caviezel as the shadowy/traumatic-past field operative who gets recruited to be Emerson's primary investigator. Could be something I'm hooked into... could be something that's exactly the same every week and I decide isn't worth my time.
- Unforgettable: oh, my, do I have to swallow my pride on this one. This is almost a perfect CBS procedural and I'm guessing it's going to be the biggest hit of the fall season (though I still won't be watching). Some of the things I hated about the script (the five minutes in the beginning in a NYC cab that, for some reason, only had nostalgic radio stations on it that sent the lead character into uncontrollable flashback memories) are gone. Probably for production reasons, some of the described coolness of Carrie's memory flashes are gone (she could only pop back to what was in her field of vision, everything else was black, the edges were fuzzy), too, which is unfortunate because she is now, like, an infallible superwoman with almost 360 degrees of picture-and-sound-perfect memory. It might have been hard to explain to viewers, too. There's still a bunch of eye-rolling moments in breaking the case, but, whatever.
One of the show's two biggest challenges going forward is going to be bringing the other characters up from a peanut gallery position. Even Dylan Walsh's character, Al, who will be Carrie's partner, seems like little more than someone to talk to. He needs something about him that helps solve murders, so every beat doesn't hinge on something Carrie remembers. Otherwise, yeah, she's superwoman. I think we're supposed to feel a big UST thing between Carrie and Al. Not there, yet. The show's other biggest challenge is going to be explaining how Carrie's abilities help when she ISN'T at/around the scene of the crime when it happens / doesn't have even a little history with the victim. I like Poppy Montgomery as a redhead, but she slips out of her accent on several occasions.
Not yet watched: The Doctor
Pilot Screener Reviewlets - ABC Dramas
- Charlie's Angels: totally sold on it, until Minka Kelly shows up? Still, probably has the best chance at succeeding of ABC's fall dramas. Very slick.
- Good Christian Belles: wasn't in love with the script, a bunch of changes made, and some good casting choices in the supporting roles. Very much in the cotton-candy dramedy vein. Not sure I love Leslie Bibb. Still feels like a bunch of sanctimonious hypocrites gossiping about the same thing for 42 minutes at times (honestly, there are soooo many intercut scenes of bitches on phones) and very little... doing anything. But I could see this being fun.
- Hallelujah: didn't read the script. Of the religion-imbued dramas, ABC clearly picked the right one going with GCB. The whole of Hallelujah feels... silly.
- Once Upon A Time: my issues with the script stand on both a story logic and "why do we care?" level, plays really slowly, stuff in fairytale world is pretty damn awesomely rendered, but, again, not sure why anyone's gonna care.
- Pan Am: as with the script... I'd watch a show about a 1960s stewardess-slash-spy. Unfortunately, that's maybe 1/10th of what this show is. The flashbacks are needless, except to get us off the damn claustrophobic plane and attempt to tells us who the girls are... which feels like a narrative cheat to me. The whole opening 12 minutes are incredibly sluggish and I suspect a ton of instant tune-out. Tonally, feels like it's playing on the romance of it all and wants to recapture the magic of Titanic... but doesn't. It's not like the plane is going to crash into an iceberg and we know that going in and then this crazy epic love story unfolds. It's all atmosphere. B-o-r-i-n-g.
- Partners: held off reading the script because of the nutso logline, and it wasn't picked up, so I still didn't. Special Agent Renee from 24 was pretty decent, but I think that's because I liked her from 24. Meh, no big loss it won't see the light of day.
- Poe: was distracted by Chris Egan with brown hair and Natalie Dormer as a blonde. It didn't sound much like dialogue in a period piece, played very "quippy TV crime solvers." I probably would've watched, but would have turned off after three episodes when every one came down to the X-Files question of "is it the supernatural or something crazy but real world" and never coming down on one side or the other.
- The Revenge: loved the script, lots left on the cutting room floor to get it down to time and, unfortunately, I don't think it works... I wouldn't have known what was happening if I hadn't read the script
- Scandal: (SPOILER ALERT) The explanation of what the crisis management firm does is a little clunky and I didn't care much for the new addition to the team. Not sure audiences will like not having an answer on the murder, but I'm happy, as I was in script, that the team (who are not homicide detectives) don't solve it. Might develop into something of an interesting character/team-cedural down the line. The thing the first case hinges on is a little obvious, and I felt that way in the script, too. The whole affair with the President thing really puts a sour light on the lead character, IMO.
Not yet watched: Georgetown, Identity, Missing, The River
- Good Christian Belles: wasn't in love with the script, a bunch of changes made, and some good casting choices in the supporting roles. Very much in the cotton-candy dramedy vein. Not sure I love Leslie Bibb. Still feels like a bunch of sanctimonious hypocrites gossiping about the same thing for 42 minutes at times (honestly, there are soooo many intercut scenes of bitches on phones) and very little... doing anything. But I could see this being fun.
- Hallelujah: didn't read the script. Of the religion-imbued dramas, ABC clearly picked the right one going with GCB. The whole of Hallelujah feels... silly.
- Once Upon A Time: my issues with the script stand on both a story logic and "why do we care?" level, plays really slowly, stuff in fairytale world is pretty damn awesomely rendered, but, again, not sure why anyone's gonna care.
- Pan Am: as with the script... I'd watch a show about a 1960s stewardess-slash-spy. Unfortunately, that's maybe 1/10th of what this show is. The flashbacks are needless, except to get us off the damn claustrophobic plane and attempt to tells us who the girls are... which feels like a narrative cheat to me. The whole opening 12 minutes are incredibly sluggish and I suspect a ton of instant tune-out. Tonally, feels like it's playing on the romance of it all and wants to recapture the magic of Titanic... but doesn't. It's not like the plane is going to crash into an iceberg and we know that going in and then this crazy epic love story unfolds. It's all atmosphere. B-o-r-i-n-g.
- Partners: held off reading the script because of the nutso logline, and it wasn't picked up, so I still didn't. Special Agent Renee from 24 was pretty decent, but I think that's because I liked her from 24. Meh, no big loss it won't see the light of day.
- Poe: was distracted by Chris Egan with brown hair and Natalie Dormer as a blonde. It didn't sound much like dialogue in a period piece, played very "quippy TV crime solvers." I probably would've watched, but would have turned off after three episodes when every one came down to the X-Files question of "is it the supernatural or something crazy but real world" and never coming down on one side or the other.
- The Revenge: loved the script, lots left on the cutting room floor to get it down to time and, unfortunately, I don't think it works... I wouldn't have known what was happening if I hadn't read the script
- Scandal: (SPOILER ALERT) The explanation of what the crisis management firm does is a little clunky and I didn't care much for the new addition to the team. Not sure audiences will like not having an answer on the murder, but I'm happy, as I was in script, that the team (who are not homicide detectives) don't solve it. Might develop into something of an interesting character/team-cedural down the line. The thing the first case hinges on is a little obvious, and I felt that way in the script, too. The whole affair with the President thing really puts a sour light on the lead character, IMO.
Not yet watched: Georgetown, Identity, Missing, The River
So, A Funny Thing Happened
... hey, ya'll! I haven't been posting much. Have you noticed?
Crazy busy. Trying to write a book. Haven't written prose, I feel, since some time around second grade. Hard to pick my head up out of it twice a day to look at final ratings, let alone post them. So... this summer may be a pretty quiet one here.
In the meantime, I've been watching a bunch of pilots, both picked up and busted. Here's the problem: I kind of dislike almost all of them, but don't feel that strongly. Writing glowing reviews is a breeze because I wanna share the love. Writing reviews where I absolutely, 100% can't stand something? Easy because it's, like, a giant rant and those are fun.
Writing a middling review about something I don't really care one way or the other about, made worse because it leans a little to the "bad / uninspired" side?
Impossible. And would take me into a the whole "OMG TRAVIS WHY ARE YOU WASTING YOUR TIME AND NOT WRITING YOUR BOOK" self-hate/death spiral, which is sooooo good for the already unfamiliar, uncharted personal creative zone that is prose writing.
So, I'm gonna be doing a review dump over the next couple hours with my quick take on everything I've watched. Just so it's off my chest. Stay tuned...
Crazy busy. Trying to write a book. Haven't written prose, I feel, since some time around second grade. Hard to pick my head up out of it twice a day to look at final ratings, let alone post them. So... this summer may be a pretty quiet one here.
In the meantime, I've been watching a bunch of pilots, both picked up and busted. Here's the problem: I kind of dislike almost all of them, but don't feel that strongly. Writing glowing reviews is a breeze because I wanna share the love. Writing reviews where I absolutely, 100% can't stand something? Easy because it's, like, a giant rant and those are fun.
Writing a middling review about something I don't really care one way or the other about, made worse because it leans a little to the "bad / uninspired" side?
Impossible. And would take me into a the whole "OMG TRAVIS WHY ARE YOU WASTING YOUR TIME AND NOT WRITING YOUR BOOK" self-hate/death spiral, which is sooooo good for the already unfamiliar, uncharted personal creative zone that is prose writing.
So, I'm gonna be doing a review dump over the next couple hours with my quick take on everything I've watched. Just so it's off my chest. Stay tuned...
Wednesday, June 8, 2011
Tuesday 06/07/11 Final Cable Ratings
Tosh.0 (CMDY, 10pm)
- 2.594 million viewers
- 1.7/3 HH
- 1.5/4 A18-49
- 3.0/9 M18-34
Sports Show with Norm MacDonald (CMDY)
- 0.944 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
- 1.0/3 M18-34
Deadliest Catch (DISC, 9pm, 61 minutes)
- 3.220 million viewers
- 2.0/3 HH
- 1.6/4 A18-49
Only in America (HIST, 9pm)
- 1.541 million viewers
- 0.9/1 HH
- 0.5/1 A18-49
How the States Got Shapes (HIST)
- 1.496 million viewers
- 0.9/2 HH
- 0.5/1 A18-49
16 and Pregnant (MTV, 10pm)
- 1.823 million viewers
- 1.3/2 HH
- 1.0/3 A18-49
- 2.5/7 W18-34
- 1.0/4 T12-17
White Collar (USA)
- 3.900 million viewers
- 2.6/4 HH
- 1.2/3 A18-49
Covert Affairs (USA)
- 4.555 million viewers
- 3.0/5 HH
- 1.2/3 A18-49
- 2.594 million viewers
- 1.7/3 HH
- 1.5/4 A18-49
- 3.0/9 M18-34
Sports Show with Norm MacDonald (CMDY)
- 0.944 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
- 1.0/3 M18-34
Deadliest Catch (DISC, 9pm, 61 minutes)
- 3.220 million viewers
- 2.0/3 HH
- 1.6/4 A18-49
Only in America (HIST, 9pm)
- 1.541 million viewers
- 0.9/1 HH
- 0.5/1 A18-49
How the States Got Shapes (HIST)
- 1.496 million viewers
- 0.9/2 HH
- 0.5/1 A18-49
16 and Pregnant (MTV, 10pm)
- 1.823 million viewers
- 1.3/2 HH
- 1.0/3 A18-49
- 2.5/7 W18-34
- 1.0/4 T12-17
White Collar (USA)
- 3.900 million viewers
- 2.6/4 HH
- 1.2/3 A18-49
Covert Affairs (USA)
- 4.555 million viewers
- 3.0/5 HH
- 1.2/3 A18-49
Tuesday 06/07/11 Final Broadcast Ratings
Jimmy Kimmel Live (31 minutes)
- 3.508 million viewers
- 2.3/4 HH
- 1.1/4 A18-49
NBA Pre-Game (27 minutes)
- 4.671 million viewers
- 3.1/5 HH
- 1.8/6 A18-49
NBA Finals Game 4 (8:58pm, 174 minutes)
- 16.126 million viewers
- 9.6/16 HH
- 6.7/19 A18-49
America's Got Talent
- 12.932 million viewers
- 7.4/13 HH
- 3.7/12 A18-49
The Voice (120 minutes)
- 12.307 million viewers
- 7.0/11 HH
- 4.6/12 A18-49
Masterchef
- 4.575 million viewers
- 2.6/4 HH
- 1.9/6 A18-49
- 3.508 million viewers
- 2.3/4 HH
- 1.1/4 A18-49
NBA Pre-Game (27 minutes)
- 4.671 million viewers
- 3.1/5 HH
- 1.8/6 A18-49
NBA Finals Game 4 (8:58pm, 174 minutes)
- 16.126 million viewers
- 9.6/16 HH
- 6.7/19 A18-49
America's Got Talent
- 12.932 million viewers
- 7.4/13 HH
- 3.7/12 A18-49
The Voice (120 minutes)
- 12.307 million viewers
- 7.0/11 HH
- 4.6/12 A18-49
Masterchef
- 4.575 million viewers
- 2.6/4 HH
- 1.9/6 A18-49
Monday 06/06/11 Final Cable Ratings
Secret Life of the American Teenager (ABCF)
- 3.562 million viewers
- 2.3/4 HH
- 1.5/5 A18-49
- 3.2/11 W18-34
- 3.2/13 T12-17
Switched at Birth (ABCF, 9pm)
- 3.304 million viewers
- 2.1/3 HH
- 1.3/4 A18-49
- 2.2/6 W18-34
- 2.5/9 T12-17
Real Housewives of New Jersey (BRAVO, 9pm)
- 2.474 million viewers
- 1.8/3 HH
- 1.3/4 A18-49
Platinum Hit (BRAVO)
- 0.600 million viewers
- 0.5/1 HH
- 0.3/1 A18-49
American Pickers (HIST)
- 5.287 million viewers
- 3.4/5 HH
- 1.6/4 A18-49
Pawn Stars (HIST, 10pm)
- 6.729 million viewers
- 4.2/7 HH
- 2.3/6 A18-49
Pawn Stars (HIST, 10:30pm)
- 7.250 million viewers
- 4.5/8 HH
- 2.6/7 A18-49
Teen Wolf (MTV, 10pm)
- 1.472 million viewers
- 1.0/2 HH
- 0.5/1 A18-49
- 0.8/2 W18-34
- 2.2/9 T12-17
Love Games (OXYG, 10pm)
- 0.589 million viewers
- 0.4/1 HH
- 0.3/1 A18-49
- 0.5/1 W18-34
Nurse Jackie (SHO, 10pm, 29 minutes)
- 0.556 million viewers
- 0.4/1 HH
- 0.2/1 A18-49
United States of Tara (SHO, 10:30pm, 27 minutes)
- 0.333 million viewers
- 0.2/0 HH
- 0.1/0 A18-49
Cake Boss (TLC, 9pm, 30 minutes)
- 1.429 million viewers
- 0.9/1 HH
- 0.5/1 A18-49
Kate Plus 8 (TLC, 10pm)
- 1.214 million viewers
- 0.8/1 HH
- 0.5/1 A18-49
Adventure Time (TOON)
- 2.114 million viewers
- 1.3/2 HH
- 0.3/1 A18-49
- 1.0/4 T12-17
- 3.1/12 K2-11
Regular Show (TOON)
- 2.328 million viewers
- 1.4/2 HH
- 0.4/1 A18-49
- 1.1/5 T12-17
- 3.4/13 K2-11
Mad (TOON)
- 2.246 million viewers
- 1.4/2 HH
- 0.3/1 A18-49
- 1.1/5 T12-17
- 3.5/13 K2-11
Problem Solverz (TOON)
- 1.498 million viewers
- 0.9/2 HH
- 0.2/1 A18-49
- 0.6/2 T12-17
- 2.5/9 K2-11
WWE Tough Enough (USA, 66 minutes)
- 2.860 million viewers
- 1.7/3 HH
- 1.0/3 A18-49
WWE Raw (USA, 9:06pm)
- 5.091 million viewers
- 2.8/4 HH
- 1.7/5 A18-49
WWE Raw (USA, 10:06pm, 65 minutes)
- 4.844 million viewers
- 2.7/5 HH
- 1.7/5 A18-49
Basketball Wives (VH1, 8pm)
- 1.751 million viewers
- 1.2/2 HH
- 1.0/3 A18-49
Single Ladies (VH1)
- 1.881 million viewers
- 1.2/2 HH
- 1.0/3 A18-49
- 3.562 million viewers
- 2.3/4 HH
- 1.5/5 A18-49
- 3.2/11 W18-34
- 3.2/13 T12-17
Switched at Birth (ABCF, 9pm)
- 3.304 million viewers
- 2.1/3 HH
- 1.3/4 A18-49
- 2.2/6 W18-34
- 2.5/9 T12-17
Real Housewives of New Jersey (BRAVO, 9pm)
- 2.474 million viewers
- 1.8/3 HH
- 1.3/4 A18-49
Platinum Hit (BRAVO)
- 0.600 million viewers
- 0.5/1 HH
- 0.3/1 A18-49
American Pickers (HIST)
- 5.287 million viewers
- 3.4/5 HH
- 1.6/4 A18-49
Pawn Stars (HIST, 10pm)
- 6.729 million viewers
- 4.2/7 HH
- 2.3/6 A18-49
Pawn Stars (HIST, 10:30pm)
- 7.250 million viewers
- 4.5/8 HH
- 2.6/7 A18-49
Teen Wolf (MTV, 10pm)
- 1.472 million viewers
- 1.0/2 HH
- 0.5/1 A18-49
- 0.8/2 W18-34
- 2.2/9 T12-17
Love Games (OXYG, 10pm)
- 0.589 million viewers
- 0.4/1 HH
- 0.3/1 A18-49
- 0.5/1 W18-34
Nurse Jackie (SHO, 10pm, 29 minutes)
- 0.556 million viewers
- 0.4/1 HH
- 0.2/1 A18-49
United States of Tara (SHO, 10:30pm, 27 minutes)
- 0.333 million viewers
- 0.2/0 HH
- 0.1/0 A18-49
Cake Boss (TLC, 9pm, 30 minutes)
- 1.429 million viewers
- 0.9/1 HH
- 0.5/1 A18-49
Kate Plus 8 (TLC, 10pm)
- 1.214 million viewers
- 0.8/1 HH
- 0.5/1 A18-49
Adventure Time (TOON)
- 2.114 million viewers
- 1.3/2 HH
- 0.3/1 A18-49
- 1.0/4 T12-17
- 3.1/12 K2-11
Regular Show (TOON)
- 2.328 million viewers
- 1.4/2 HH
- 0.4/1 A18-49
- 1.1/5 T12-17
- 3.4/13 K2-11
Mad (TOON)
- 2.246 million viewers
- 1.4/2 HH
- 0.3/1 A18-49
- 1.1/5 T12-17
- 3.5/13 K2-11
Problem Solverz (TOON)
- 1.498 million viewers
- 0.9/2 HH
- 0.2/1 A18-49
- 0.6/2 T12-17
- 2.5/9 K2-11
WWE Tough Enough (USA, 66 minutes)
- 2.860 million viewers
- 1.7/3 HH
- 1.0/3 A18-49
WWE Raw (USA, 9:06pm)
- 5.091 million viewers
- 2.8/4 HH
- 1.7/5 A18-49
WWE Raw (USA, 10:06pm, 65 minutes)
- 4.844 million viewers
- 2.7/5 HH
- 1.7/5 A18-49
Basketball Wives (VH1, 8pm)
- 1.751 million viewers
- 1.2/2 HH
- 1.0/3 A18-49
Single Ladies (VH1)
- 1.881 million viewers
- 1.2/2 HH
- 1.0/3 A18-49
Monday 06/06/11 Final Broadcast Ratings
The Bachelorette (121 minutes)
- 8.130 million viewers
- 5.3/9 HH
- 2.6/8 A18-49
Extreme Makeover Weight Loss Edition (59 minutes)
- 5.661 million viewers
- 3.8/6 HH
- 2.2/6 A18-49
Law & Order: Criminal Intent
- 4.606 million viewers
- 3.0/5 HH
- 0.9/3 A18-49
Law & Order: Los Angeles
- 6.351 million viewers
- 4.2/7 HH
- 1.3/4 A18-49
MasterChef
- 4.404 million viewers
- 2.6/4 HH
- 1.6/6 A18-49
- 8.130 million viewers
- 5.3/9 HH
- 2.6/8 A18-49
Extreme Makeover Weight Loss Edition (59 minutes)
- 5.661 million viewers
- 3.8/6 HH
- 2.2/6 A18-49
Law & Order: Criminal Intent
- 4.606 million viewers
- 3.0/5 HH
- 0.9/3 A18-49
Law & Order: Los Angeles
- 6.351 million viewers
- 4.2/7 HH
- 1.3/4 A18-49
MasterChef
- 4.404 million viewers
- 2.6/4 HH
- 1.6/6 A18-49
Sunday 06/05/11 Final Cable Ratings
The Glades (A&E)
- 3.007 million viewers
- 1.9/3 HH
- 0.9/3 A18-49
The Killing (AMC, 62 minutes)
- 1.983 million viewers
- 1.3/2 HH
- 0.5/1 A18-49
Real Housewives of Orange County (BRAVO, 10pm)
- 2.875 million viewers
- 2.0/3 HH
- 1.4/4 A18-49
Good Luck Charlie (DISN, 8pm)
- 4.024 million viewers
- 2.5/4 HH
- 0.7/2 A18-49
- 2.8/12 T12-17
- 5.4/20 K2-11
So Random (DISN)
- 4.070 million viewers
- 2.5/4 HH
- 0.6/2 A18-49
- 2.9/11 T12-17
- 5.8/21 K2-11
Game of Thrones (HBO, 9:02pm, 57 minutes)
- 2.715 million viewers
- 1.7/3 HH
- 1.2/3 A18-49
Treme (HBO, 10:07pm, 59 minutes)
- 0.550 million viewers
- 0.4/1 HH
- 0.2/0 A18-49
Ice Road Truckers (HIST, 9pm, 120 minutes)
- 3.062 million viewers
- 1.8/3 HH
- 1.1/3 A18-49
Army Wives (LIF)
- 3.471 million viewers
- 2.4/4 HH
- 1.1/3 A18-49
- 2.0/5 W25-54
Coming Home (LIF)
- 1.558 million viewers
- 1.1/2 HH
- 0.5/1 A18-49
- 0.9/2 W25-54
America's Best Dance Crew (MTV, 7:30pm, 90 minutes)
- 2.642 million viewers
- 1.5/3 HH
- 1.0/3 A18-49
- 2.0/7 W18-34
- 2.5/10 T12-17
2011 MTV Movie Awards (MTV, 9pm, 120 minutes)
- 4.509 million viewers
- 2.6/4 HH
- 1.9/5 A18-49
- 3.4/10 W18-34
- 4.6/16 T12-17
Sister Wives (TLC, 9pm)
- 2.766 million viewers
- 1.9/3 HH
- 1.1/3 A18-49
Freaky Eaters (TLC, 10pm)
- 0.888 million viewers
- 0.8/1 HH
- 0.5/1 A18-49
Law & Order: Criminal Intent (USA)
- 3.909 million viewers
- 2.6/4 HH
- 1.0/3 A18-49
In Plain Sight (USA)
- 3.450 million viewers
- 2.2/4 HH
- 0.9/2 A18-49
- 3.007 million viewers
- 1.9/3 HH
- 0.9/3 A18-49
The Killing (AMC, 62 minutes)
- 1.983 million viewers
- 1.3/2 HH
- 0.5/1 A18-49
Real Housewives of Orange County (BRAVO, 10pm)
- 2.875 million viewers
- 2.0/3 HH
- 1.4/4 A18-49
Good Luck Charlie (DISN, 8pm)
- 4.024 million viewers
- 2.5/4 HH
- 0.7/2 A18-49
- 2.8/12 T12-17
- 5.4/20 K2-11
So Random (DISN)
- 4.070 million viewers
- 2.5/4 HH
- 0.6/2 A18-49
- 2.9/11 T12-17
- 5.8/21 K2-11
Game of Thrones (HBO, 9:02pm, 57 minutes)
- 2.715 million viewers
- 1.7/3 HH
- 1.2/3 A18-49
Treme (HBO, 10:07pm, 59 minutes)
- 0.550 million viewers
- 0.4/1 HH
- 0.2/0 A18-49
Ice Road Truckers (HIST, 9pm, 120 minutes)
- 3.062 million viewers
- 1.8/3 HH
- 1.1/3 A18-49
Army Wives (LIF)
- 3.471 million viewers
- 2.4/4 HH
- 1.1/3 A18-49
- 2.0/5 W25-54
Coming Home (LIF)
- 1.558 million viewers
- 1.1/2 HH
- 0.5/1 A18-49
- 0.9/2 W25-54
America's Best Dance Crew (MTV, 7:30pm, 90 minutes)
- 2.642 million viewers
- 1.5/3 HH
- 1.0/3 A18-49
- 2.0/7 W18-34
- 2.5/10 T12-17
2011 MTV Movie Awards (MTV, 9pm, 120 minutes)
- 4.509 million viewers
- 2.6/4 HH
- 1.9/5 A18-49
- 3.4/10 W18-34
- 4.6/16 T12-17
Sister Wives (TLC, 9pm)
- 2.766 million viewers
- 1.9/3 HH
- 1.1/3 A18-49
Freaky Eaters (TLC, 10pm)
- 0.888 million viewers
- 0.8/1 HH
- 0.5/1 A18-49
Law & Order: Criminal Intent (USA)
- 3.909 million viewers
- 2.6/4 HH
- 1.0/3 A18-49
In Plain Sight (USA)
- 3.450 million viewers
- 2.2/4 HH
- 0.9/2 A18-49
Sunday 06/05/11 Final Broadcast Ratings
Jimmy Kimmel Live (31 minutes)
- 2.501 million viewers
- 1.6/3 HH
- 0.7/3 A18-49
NBA Pre-Game (22 minutes)
- 3.395 million viewers
- 2.2/4 HH
- 1.1/4 A18-49
NBA Finals Game 3 (7:53pm, 187 minutes)
- 15.338 million viewers
- 9.1/15 HH
- 6.1/17 A18-49
60 Minutes (R)
- 9.547 million viewers
- 6.1/12 HH
- 1.3/5 A18-49
*remember, not posting rerun ratings starting with Monday's numbers*
CSI: Miami (R, 8pm)
- 5.673 million viewers
- 3.7/6 HH
- 0.7/2 A18-49
Undercover Boss (R)
- 4.570 million viewers
- 2.9/5 HH
- 1.0/3 A18-49
CSI: Miami (R, 10pm)
- 6.042 million viewers
- 3.9/6 HH
- 1.0/3 A18-49
Dateline (R)
- 3.750 million viewers
- 2.7/5 HH
- 0.7/2 A18-49
Minute to Win It (R)
- 2.935 million viewers
- 1.8/3 HH
- 0.7/2 A18-49
America's Got Talent (R, 120 minutes)
- 5.428 million viewers
- 3.2/5 HH
- 1.4/4 A18-49
American Dad (R, 7pm, 30 minutes)
- 2.234 million viewers
- 1.3/3 HH
- 1.1/4 A18-49
Bob's Burgers (R, 29 minutes)
- 2.117 million viewers
- 1.2/2 HH
- 1.1/4 A18-49
The Simpsons (R, 31 minutes)
- 3.722 million viewers
- 2.1/4 HH
- 1.8/5 A18-49
The Cleveland Show (R)
- 3.404 million viewers
- 1.9/3 HH
- 1.6/5 A18-49
Family Guy (R, 31 minutes)
- 4.250 million viewers
- 2.4/4 HH
- 2.0/5 A18-49
American Dad (R, 9:31pm, 29 minutes)
- 3.560 million viewers
- 2.1/3 HH
- 1.6/4 A18-49
- 2.501 million viewers
- 1.6/3 HH
- 0.7/3 A18-49
NBA Pre-Game (22 minutes)
- 3.395 million viewers
- 2.2/4 HH
- 1.1/4 A18-49
NBA Finals Game 3 (7:53pm, 187 minutes)
- 15.338 million viewers
- 9.1/15 HH
- 6.1/17 A18-49
60 Minutes (R)
- 9.547 million viewers
- 6.1/12 HH
- 1.3/5 A18-49
*remember, not posting rerun ratings starting with Monday's numbers*
CSI: Miami (R, 8pm)
- 5.673 million viewers
- 3.7/6 HH
- 0.7/2 A18-49
Undercover Boss (R)
- 4.570 million viewers
- 2.9/5 HH
- 1.0/3 A18-49
CSI: Miami (R, 10pm)
- 6.042 million viewers
- 3.9/6 HH
- 1.0/3 A18-49
Dateline (R)
- 3.750 million viewers
- 2.7/5 HH
- 0.7/2 A18-49
Minute to Win It (R)
- 2.935 million viewers
- 1.8/3 HH
- 0.7/2 A18-49
America's Got Talent (R, 120 minutes)
- 5.428 million viewers
- 3.2/5 HH
- 1.4/4 A18-49
American Dad (R, 7pm, 30 minutes)
- 2.234 million viewers
- 1.3/3 HH
- 1.1/4 A18-49
Bob's Burgers (R, 29 minutes)
- 2.117 million viewers
- 1.2/2 HH
- 1.1/4 A18-49
The Simpsons (R, 31 minutes)
- 3.722 million viewers
- 2.1/4 HH
- 1.8/5 A18-49
The Cleveland Show (R)
- 3.404 million viewers
- 1.9/3 HH
- 1.6/5 A18-49
Family Guy (R, 31 minutes)
- 4.250 million viewers
- 2.4/4 HH
- 2.0/5 A18-49
American Dad (R, 9:31pm, 29 minutes)
- 3.560 million viewers
- 2.1/3 HH
- 1.6/4 A18-49
Saturday, June 4, 2011
Thursday 06/02/11 Final Cable Ratings
The First 48 (A&E, 9pm)
- 1.431 million viewers
- 1.0/2 HH
- 0.5/2 A18-49
The First 48: Missing Persons (A&E)
- 1.627 million viewers
- 1.1/2 HH
- 0.7/2 A18-49
Real Housewives of NYC (BRAVO, 10pm)
- 2.283 million viewers
- 1.7/3 HH
- 1.1/3 A18-49
Tornado Rampage 2011 (DISC)
- 1.637 million viewers
- 1.0/2 HH
- 0.6/2 A18-49
Swords (DISC)
- 1.233 million viewers
- 0.8/1 HH
- 0.5/1 A18-49
America's Best Dance Crew (MTV, 9:58pm, 63 minutes)
- 1.328 million viewers
- 0.9/1 HH
- 0.5/1 A18-49
- 0.9/3 W18-34
- 1.6/7 T12-17
TNA: Impact (SPIKE, 9pm, 122 minutes)
- 1.452 million viewers
- 0.9/2 HH
- 0.5/1 A18-49
Police Women of Broward County (TLC, 9pm)
- 1.109 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
NY Ink (TLC)
- 1.372 million viewers
- 0.9/2 HH
- 0.7/2 A18-49
- 1.431 million viewers
- 1.0/2 HH
- 0.5/2 A18-49
The First 48: Missing Persons (A&E)
- 1.627 million viewers
- 1.1/2 HH
- 0.7/2 A18-49
Real Housewives of NYC (BRAVO, 10pm)
- 2.283 million viewers
- 1.7/3 HH
- 1.1/3 A18-49
Tornado Rampage 2011 (DISC)
- 1.637 million viewers
- 1.0/2 HH
- 0.6/2 A18-49
Swords (DISC)
- 1.233 million viewers
- 0.8/1 HH
- 0.5/1 A18-49
America's Best Dance Crew (MTV, 9:58pm, 63 minutes)
- 1.328 million viewers
- 0.9/1 HH
- 0.5/1 A18-49
- 0.9/3 W18-34
- 1.6/7 T12-17
TNA: Impact (SPIKE, 9pm, 122 minutes)
- 1.452 million viewers
- 0.9/2 HH
- 0.5/1 A18-49
Police Women of Broward County (TLC, 9pm)
- 1.109 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
NY Ink (TLC)
- 1.372 million viewers
- 0.9/2 HH
- 0.7/2 A18-49
Thursday 06/02/11 Final Broadcast Ratings
Jimmy Kimmel Live (31 minutes)
- 3.458 million viewers
- 2.3/4 HH
- 1.0/3 A18-49
NBA Pre-Game (27 minutes)
- 4.591 million viewers
- 2.9/5 HH
- 1.6/6 A18-49
NBA Finals Game 2 (8:58pm, 174 minutes)
- 15.522 million viewers
- 9.3/16 HH
- 6.5/19 A18-49
The Big Bang Theory (R)
- 7.420 million viewers
- 4.8/9 HH
- 2.0/7 A18-49
Rules of Engagement (R)
- 6.693 million viewers
- 4.3/7 HH
- 1.9/6 A18-49
CSI (R)
- 7.981 million viewers
- 5.2/9 HH
- 1.7/5 A18-49
The Mentalist (R)
- 8.774 million viewers
- 5.8/10 HH
- 1.6/5 A18-49
Community (R, 96% coverage NBC normally 98%)
- 2.450 million viewers
- 1.7/3 HH
- 0.8/3 A18-49
30 Rock (R)
- 2.296 million viewers
- 1.6/3 HH
- 0.9/3 A18-49
The Office (R, 31 minutes)
- 2.898 million viewers
- 1.9/3 HH
- 1.3/4 A18-49
Parks and Recreation (R, 29 minutes)
- 2.560 million viewers
- 1.6/3 HH
- 1.1/3 A18-49
Love Bites
- 2.638 million viewers
- 1.8/3 HH
- 1.0/3 A18-49
So You Think You Can Dance
- 8.063 million viewers
- 4.7/8 HH
- 2.9/10 A18-49
- 2.8/11 A18-34
- 3.6/13 W18-34
Glee (R)
- 4.126 million viewers
- 2.5/4 HH
- 1.4/4 A18-49
The Vampire Diaries (R)
- 0.944 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
- 0.3/1 A18-34
- 0.5/2 W18-34
Nikita (R)
- 1.012 million viewers
- 0.6/1 HH
- 0.3/1 A18-49
- 0.3/1 A18-34
- 0.4/1 W18-34
- 3.458 million viewers
- 2.3/4 HH
- 1.0/3 A18-49
NBA Pre-Game (27 minutes)
- 4.591 million viewers
- 2.9/5 HH
- 1.6/6 A18-49
NBA Finals Game 2 (8:58pm, 174 minutes)
- 15.522 million viewers
- 9.3/16 HH
- 6.5/19 A18-49
The Big Bang Theory (R)
- 7.420 million viewers
- 4.8/9 HH
- 2.0/7 A18-49
Rules of Engagement (R)
- 6.693 million viewers
- 4.3/7 HH
- 1.9/6 A18-49
CSI (R)
- 7.981 million viewers
- 5.2/9 HH
- 1.7/5 A18-49
The Mentalist (R)
- 8.774 million viewers
- 5.8/10 HH
- 1.6/5 A18-49
Community (R, 96% coverage NBC normally 98%)
- 2.450 million viewers
- 1.7/3 HH
- 0.8/3 A18-49
30 Rock (R)
- 2.296 million viewers
- 1.6/3 HH
- 0.9/3 A18-49
The Office (R, 31 minutes)
- 2.898 million viewers
- 1.9/3 HH
- 1.3/4 A18-49
Parks and Recreation (R, 29 minutes)
- 2.560 million viewers
- 1.6/3 HH
- 1.1/3 A18-49
Love Bites
- 2.638 million viewers
- 1.8/3 HH
- 1.0/3 A18-49
So You Think You Can Dance
- 8.063 million viewers
- 4.7/8 HH
- 2.9/10 A18-49
- 2.8/11 A18-34
- 3.6/13 W18-34
Glee (R)
- 4.126 million viewers
- 2.5/4 HH
- 1.4/4 A18-49
The Vampire Diaries (R)
- 0.944 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
- 0.3/1 A18-34
- 0.5/2 W18-34
Nikita (R)
- 1.012 million viewers
- 0.6/1 HH
- 0.3/1 A18-49
- 0.3/1 A18-34
- 0.4/1 W18-34
Thursday, June 2, 2011
Wednesday 06/01/11 Final Cable Ratings
Top Chef Masters (BRAVO)
- 1.181 million viewers
- 0.8/1 HH
- 0.6/2 A18-49
South Park (CMDY, 10pm)
- 2.558 million viewers
- 1.7/3 HH
- 1.4/4 A18-49
- 2.7/9 M18-34
Workaholics (CMDY)
- 1.659 million viewers
- 1.1/2 HH
- 0.9/3 A18-49
- 1.6/5 M18-34
American Pickers (HIST, 9pm)
- 4.277 million viewers
- 2.7/4 HH
- 1.2/3 A18-49
Pawn Stars (HIST, 10pm)
- 5.226 million viewers
- 3.1/5 HH
- 1.9/5 A18-49
Real World Las Vegas (MTV, 10pm)
- 2.180 million viewers
- 1.5/3 HH
- 1.2/3 A18-49
- 2.3/7 W18-34
- 1.4/5 T12-17
The World According to Paris (OXYG)
- 0.409 million viewers
- 0.3/0 HH
- 0.2/1 A18-49
- 0.4/1 W18-34
The Ultimate Fighter (SPIKE, 9pm, 60 minutes)
- 1.245 million viewers
- 0.8/1 HH
- 0.7/2 A18-49
Ghost Hunters (SYFY)
- 1.491 million viewers
- 1.0/2 HH
- 0.6/2 A18-49
Haunted Collector (SYFY)
- 1.444 million viewers
- 0.9/1 HH
- 0.6/2 A18-49
House of Payne (TBS, 10pm)
- 2.093 million viewers
- 1.2/2 HH
- 0.8/2 A18-49
House of Payne (TBS, 10:30pm)
- 2.011 million viewers
- 1.1/2 HH
- 0.8/2 A18-49
Extreme Couponing (TLC, 9:30pm)
- 1.706 million viewers
- 1.1/2 HH
- 0.8/2 A18-49
Franklin & Bash (TNT, 9pm, 61 minutes)
- 2.746 million viewers
- 1.8/3 HH
- 0.9/2 A18-49
Men of a Certain Age (TNT, 10:01pm, 61 minutes)
- 1.846 million viewers
- 1.2/2 HH
- 0.4/1 A18-49
Dude What Would Happen (TOON)
- 0.983 million viewers
- 0.7/1 HH
- 0.1/0 A18-49
- 0.5/2 T12-17
- 1.5/6 K2-11
Destroy Build Destroy (TOON)
- 0.841 million viewers
- 0.7/1 HH
- 0.1/0 A18-49
- 0.6/2 T12-17
- 1.2/5 K2-11
- 1.181 million viewers
- 0.8/1 HH
- 0.6/2 A18-49
South Park (CMDY, 10pm)
- 2.558 million viewers
- 1.7/3 HH
- 1.4/4 A18-49
- 2.7/9 M18-34
Workaholics (CMDY)
- 1.659 million viewers
- 1.1/2 HH
- 0.9/3 A18-49
- 1.6/5 M18-34
American Pickers (HIST, 9pm)
- 4.277 million viewers
- 2.7/4 HH
- 1.2/3 A18-49
Pawn Stars (HIST, 10pm)
- 5.226 million viewers
- 3.1/5 HH
- 1.9/5 A18-49
Real World Las Vegas (MTV, 10pm)
- 2.180 million viewers
- 1.5/3 HH
- 1.2/3 A18-49
- 2.3/7 W18-34
- 1.4/5 T12-17
The World According to Paris (OXYG)
- 0.409 million viewers
- 0.3/0 HH
- 0.2/1 A18-49
- 0.4/1 W18-34
The Ultimate Fighter (SPIKE, 9pm, 60 minutes)
- 1.245 million viewers
- 0.8/1 HH
- 0.7/2 A18-49
Ghost Hunters (SYFY)
- 1.491 million viewers
- 1.0/2 HH
- 0.6/2 A18-49
Haunted Collector (SYFY)
- 1.444 million viewers
- 0.9/1 HH
- 0.6/2 A18-49
House of Payne (TBS, 10pm)
- 2.093 million viewers
- 1.2/2 HH
- 0.8/2 A18-49
House of Payne (TBS, 10:30pm)
- 2.011 million viewers
- 1.1/2 HH
- 0.8/2 A18-49
Extreme Couponing (TLC, 9:30pm)
- 1.706 million viewers
- 1.1/2 HH
- 0.8/2 A18-49
Franklin & Bash (TNT, 9pm, 61 minutes)
- 2.746 million viewers
- 1.8/3 HH
- 0.9/2 A18-49
Men of a Certain Age (TNT, 10:01pm, 61 minutes)
- 1.846 million viewers
- 1.2/2 HH
- 0.4/1 A18-49
Dude What Would Happen (TOON)
- 0.983 million viewers
- 0.7/1 HH
- 0.1/0 A18-49
- 0.5/2 T12-17
- 1.5/6 K2-11
Destroy Build Destroy (TOON)
- 0.841 million viewers
- 0.7/1 HH
- 0.1/0 A18-49
- 0.6/2 T12-17
- 1.2/5 K2-11
Wednesday 06/01/11 Final Broadcast Ratings
The Middle (R, 8pm, 96% coverage ABC normally 98%)
- 5.214 million viewers
- 3.3/6 HH
- 1.3/4 A18-49
The Middle (R, 8:30pm)
- 5.362 million viewers
- 3.3/6 HH
- 1.6/5 A18-49
Modern Family (R, 9pm)
- 6.217 million viewers
- 3.9/6 HH
- 2.2/6 A18-49
Modern Family (R, 9:30pm)
- 6.042 million viewers
- 3.7/6 HH
- 2.2/6 A18-49
Cougar Town (R)
- 4.030 million viewers
- 2.6/4 HH
- 1.5/2 A18-49
Happy Endings (R)
- 3.383 million viewers
- 2.3/4 HH
- 1.2/4 A18-49
Mike & Molly (R)
- 4.800 million viewers
- 3.1/6 HH
- 1.0/4 A18-49
Rules of Engagement (R)
- 4.504 million viewers
- 2.9/5 HH
- 1.1/4 A18-49
Criminal Minds (R)
- 7.204 million viewers
- 4.6/8 HH
- 1.5/4 A18-49
Blue Bloods (R)
- 6.847 million viewers
- 4.6/8 HH
- 1.2/3 A18-49
NHL Finals Game 1 (182 minutes)
- 4.562 million viewers
- 2.7/5 HH
- 1.8/6 A18-49
So You Think You Can Dance (120 minutes)
- 8.575 million viewers
- 5.0/8 HH
- 3.1/9 A18-49
- 3.1/11 A18-34
- 4.3/14 W18-34
America's Next Top Model (R, 8pm, 93% coverage CW normally 96%)
- 1.174 million viewers
- 0.8/1 HH
- 0.4/1 A18-49
- 0.5/2 A18-34
- 0.7/3 W18-34
America's Next Top Model (R, 9pm, 93% coverage)
- 1.239 million viewers
- 0.9/1 HH
- 0.5/1 A18-49
- 0.6/2 A18-34
- 0.9/3 W18-34
- 5.214 million viewers
- 3.3/6 HH
- 1.3/4 A18-49
The Middle (R, 8:30pm)
- 5.362 million viewers
- 3.3/6 HH
- 1.6/5 A18-49
Modern Family (R, 9pm)
- 6.217 million viewers
- 3.9/6 HH
- 2.2/6 A18-49
Modern Family (R, 9:30pm)
- 6.042 million viewers
- 3.7/6 HH
- 2.2/6 A18-49
Cougar Town (R)
- 4.030 million viewers
- 2.6/4 HH
- 1.5/2 A18-49
Happy Endings (R)
- 3.383 million viewers
- 2.3/4 HH
- 1.2/4 A18-49
Mike & Molly (R)
- 4.800 million viewers
- 3.1/6 HH
- 1.0/4 A18-49
Rules of Engagement (R)
- 4.504 million viewers
- 2.9/5 HH
- 1.1/4 A18-49
Criminal Minds (R)
- 7.204 million viewers
- 4.6/8 HH
- 1.5/4 A18-49
Blue Bloods (R)
- 6.847 million viewers
- 4.6/8 HH
- 1.2/3 A18-49
NHL Finals Game 1 (182 minutes)
- 4.562 million viewers
- 2.7/5 HH
- 1.8/6 A18-49
So You Think You Can Dance (120 minutes)
- 8.575 million viewers
- 5.0/8 HH
- 3.1/9 A18-49
- 3.1/11 A18-34
- 4.3/14 W18-34
America's Next Top Model (R, 8pm, 93% coverage CW normally 96%)
- 1.174 million viewers
- 0.8/1 HH
- 0.4/1 A18-49
- 0.5/2 A18-34
- 0.7/3 W18-34
America's Next Top Model (R, 9pm, 93% coverage)
- 1.239 million viewers
- 0.9/1 HH
- 0.5/1 A18-49
- 0.6/2 A18-34
- 0.9/3 W18-34
Tuesday 05/31/11 Final Cable Ratings
Toya: A Family Affairs (BET, 10pm)
- 0.919 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
Million Dollar Decorators (BRAVO)
- 0.781 million viewers
- 0.6/1 HH
- 0.3/1 A18-49
Tosh.0 (CMDY, 10pm)
- 3.021 million viewers
- 1.8/3 HH
- 1.8/5 A18-49
- 3.2/9 M18-34
Sports Show with Norm MacDonald (CMDY)
- 1.114 million viewers
- 0.7/1 HH
- 0.6/2 A18-49
- 1.3/4 M18-34
Deadliest Catch (DISC, 9pm, 61 minutes)
- 3.579 million viewers
- 2.1/3 HH
- 1.7/4 A18-49
16 and Pregnant (MTV, 10pm)
- 1.741 million viewers
- 1.2/2 HH
- 1.0/3 A18-49
- 2.3/7 W18-34
- 0.7/3 T12-17
Auction Hunters (SPIKE, 10pm)
- 1.805 million viewers
- 1.1/2 HH
- 0.7/2 A18-49
Little Couple (TLC, 10pm)
- 1.191 million viewers
- 0.9/1 HH
- 0.4/1 A18-49
Little Couple (TLC, 10:30pm)
- 1.229 million viewers
- 0.9/1 HH
- 0.4/1 A18-49
Hardcore Pawn (TRU, 10pm)
- 1.570 million viewers
- 0.9/1 HH
- 0.6/2 A18-49
Hardcore Pawn (TRU, 10:30pm)
- 1.578 million viewers
- 0.9/2 HH
- 0.7/2 A18-49
The Looney Tunes Show (TOON)
- 2.330 million viewers
- 1.5/3 HH
- 0.4/1 A18-49
- 1.0/5 T12-17
- 3.3/13 K2-11
Gumball (TOON)
- 2.055 million viewers
- 1.3/2 HH
- 0.3/1 A18-49
- 1.1/5 T12-17
- 3.1/11 K2-11
- 0.919 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
Million Dollar Decorators (BRAVO)
- 0.781 million viewers
- 0.6/1 HH
- 0.3/1 A18-49
Tosh.0 (CMDY, 10pm)
- 3.021 million viewers
- 1.8/3 HH
- 1.8/5 A18-49
- 3.2/9 M18-34
Sports Show with Norm MacDonald (CMDY)
- 1.114 million viewers
- 0.7/1 HH
- 0.6/2 A18-49
- 1.3/4 M18-34
Deadliest Catch (DISC, 9pm, 61 minutes)
- 3.579 million viewers
- 2.1/3 HH
- 1.7/4 A18-49
16 and Pregnant (MTV, 10pm)
- 1.741 million viewers
- 1.2/2 HH
- 1.0/3 A18-49
- 2.3/7 W18-34
- 0.7/3 T12-17
Auction Hunters (SPIKE, 10pm)
- 1.805 million viewers
- 1.1/2 HH
- 0.7/2 A18-49
Little Couple (TLC, 10pm)
- 1.191 million viewers
- 0.9/1 HH
- 0.4/1 A18-49
Little Couple (TLC, 10:30pm)
- 1.229 million viewers
- 0.9/1 HH
- 0.4/1 A18-49
Hardcore Pawn (TRU, 10pm)
- 1.570 million viewers
- 0.9/1 HH
- 0.6/2 A18-49
Hardcore Pawn (TRU, 10:30pm)
- 1.578 million viewers
- 0.9/2 HH
- 0.7/2 A18-49
The Looney Tunes Show (TOON)
- 2.330 million viewers
- 1.5/3 HH
- 0.4/1 A18-49
- 1.0/5 T12-17
- 3.3/13 K2-11
Gumball (TOON)
- 2.055 million viewers
- 1.3/2 HH
- 0.3/1 A18-49
- 1.1/5 T12-17
- 3.1/11 K2-11
Tuesday 05/31/11 Final Broadcast Ratings
Jimmy Kimmel Live (31 minutes)
- 3.533 million viewers
- 2.3/4 HH
- 1.1/4 A18-49
NBA Pre-Game (28 minutes)
- 4.814 million viewers
- 3.0/5 HH
- 1.9/6 A18-49
NBA Finals Game 1 (8:59pm, 172 minutes)
- 15.171 million viewers
- 9.0/15 HH
- 6.5/18 A18-49
NCIS (R)
- 11.307 million viewers
- 7.3/12 HH
- 1.8/6 A18-49
NCIS: Los Angeles (R)
- 9.913 million viewers
- 6.5/10 HH
- 1.6/4 A18-49
The Good Wife (R)
- 6.120 million viewers
- 4.2/7 HH
- 0.9/2 A18-49
America's Got Talent (120 minutes)
- 15.280 million viewers
- 8.9/14 HH
- 4.3/12 A18-49
The Voice
- 14.405 million viewers
- 8.4/14 HH
- 4.9/13 A18-49
Glee (R, 61 minutes)
- 2.763 million viewers
- 1.8/3 HH
- 1.0/3 A18-49
Raising Hope (R)
- 2.675 million viewers
- 1.7/3 HH
- 1.1/3 A18-49
Traffic Light (29 minutes)
- 2.232 million viewers
- 1.5/2 HH
- 0.8/2 A18-49
One Tree Hill (R)
- 0.833 million viewers
- 0.5/1 HH
- 0.3/1 A18-49
- 0.4/1 A18-34
- 0.5/2 W18-34
Hellcats (R)
- 0.795 million viewers
- 0.5/1 HH
- 0.3/1 A18-49
- 0.3/1 A18-34
- 0.4/1 W18-34
- 3.533 million viewers
- 2.3/4 HH
- 1.1/4 A18-49
NBA Pre-Game (28 minutes)
- 4.814 million viewers
- 3.0/5 HH
- 1.9/6 A18-49
NBA Finals Game 1 (8:59pm, 172 minutes)
- 15.171 million viewers
- 9.0/15 HH
- 6.5/18 A18-49
NCIS (R)
- 11.307 million viewers
- 7.3/12 HH
- 1.8/6 A18-49
NCIS: Los Angeles (R)
- 9.913 million viewers
- 6.5/10 HH
- 1.6/4 A18-49
The Good Wife (R)
- 6.120 million viewers
- 4.2/7 HH
- 0.9/2 A18-49
America's Got Talent (120 minutes)
- 15.280 million viewers
- 8.9/14 HH
- 4.3/12 A18-49
The Voice
- 14.405 million viewers
- 8.4/14 HH
- 4.9/13 A18-49
Glee (R, 61 minutes)
- 2.763 million viewers
- 1.8/3 HH
- 1.0/3 A18-49
Raising Hope (R)
- 2.675 million viewers
- 1.7/3 HH
- 1.1/3 A18-49
Traffic Light (29 minutes)
- 2.232 million viewers
- 1.5/2 HH
- 0.8/2 A18-49
One Tree Hill (R)
- 0.833 million viewers
- 0.5/1 HH
- 0.3/1 A18-49
- 0.4/1 A18-34
- 0.5/2 W18-34
Hellcats (R)
- 0.795 million viewers
- 0.5/1 HH
- 0.3/1 A18-49
- 0.3/1 A18-34
- 0.4/1 W18-34
Monday 05/30/11 Final Cable Ratings
Secret Life of the American Teenager (ABCF, 8pm, 120 minutes)
- 2.124 million viewers
- 1.4/2 HH
- 0.9/3 A18-49
- 1.7/5 W18-34
- 2.0/8 T12-17
Breakout Kings (A&E)
- 2.013 million viewers
- 1.3/2 HH
- 0.8/2 A18-49
River Monsters (APL, 10pm)
- 1.487 million viewers
- 0.9/2 HH
- 0.7/2 A18-49
Real Housewives of New Jersey (BRAVO, 9pm)
- 2.497 million viewers
- 1.7/3 HH
- 1.3/3 A18-49
Platinum Hit (BRAVO)
- 0.823 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
American Chopper: Senior vs Junior (DISC, 9pm)
- 3.224 million viewers
- 1.9/3 HH
- 1.5/4 A18-49
Khloe & Lamar (E!, 10pm)
- 2.484 million viewers
- 1.6/3 HH
- 1.4/4 A18-49
- 2.4/6 W18-34
Pawn Stars (HIST, 8:30pm)
- 5.198 million viewers
- 3.1/5 HH
- 1.9/6 A18-49
Gettysburg (HIST, 120 minutes)
- 3.799 million viewers
- 2.3/4 HH
- 1.1/3 A18-49
Hard Times of RJ Berger (MTV, 10pm)
- 0.752 million viewers
- 0.6/1 HH
- 0.3/1 A18-49
- 0.6/2 W18-34
- 1.0/4 T12-17
Hard Times of RJ Berger (MTV, 10:30pm, 29 minutes)
- 0.875 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
- 0.7/2 W18-34
- 1.4/5 T12-17
Cake Boss (TLC, 9pm, 60 minutes)
- 1.778 million viewers
- 1.1/2 HH
- 0.6/2 A18-49
Adventure Time (TOON)
- 1.859 million viewers
- 1.2/2 HH
- 0.2/1 A18-49
- 1.0/4 T12-17
- 2.9/12 K2-11
Regular Show (TOON)
- 2.114 million viewers
- 1.3/2 HH
- 0.3/1 A18-49
- 1.2/5 T12-17
- 3.1/12 K2-11
Mad (TOON)
- 2.127 million viewers
- 1.3/2 HH
- 0.4/1 A18-49
- 1.1/4 T12-17
- 3.1/12 K2-11
Problem Solverz (TOON)
- 1.508 million viewers
- 0.9/1 HH
- 0.3/1 A18-49
- 0.8/3 T12-17
- 2.1/8 K2-11
WWE Tough Enough (USA)
- 2.437 million viewers
- 1.5/3 HH
- 1.0/3 A18-49
WWE Raw (USA, 9pm)
- 4.511 million viewers
- 2.6/4 HH
- 1.6/4 A18-49
WWE Raw (USA, 10pm, 66 minutes)
- 4.868 million viewers
- 2.7/5 HH
- 1.8/5 A18-49
Basketball Wives (VH1)
- 1.828 million viewers
- 1.1/2 HH
- 1.0/3 A18-49
Single Ladies (VH1, 120 minutes)
- 1.849 million viewers
- 1.1/2 HH
- 1.0/3 A18-49
- 2.124 million viewers
- 1.4/2 HH
- 0.9/3 A18-49
- 1.7/5 W18-34
- 2.0/8 T12-17
Breakout Kings (A&E)
- 2.013 million viewers
- 1.3/2 HH
- 0.8/2 A18-49
River Monsters (APL, 10pm)
- 1.487 million viewers
- 0.9/2 HH
- 0.7/2 A18-49
Real Housewives of New Jersey (BRAVO, 9pm)
- 2.497 million viewers
- 1.7/3 HH
- 1.3/3 A18-49
Platinum Hit (BRAVO)
- 0.823 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
American Chopper: Senior vs Junior (DISC, 9pm)
- 3.224 million viewers
- 1.9/3 HH
- 1.5/4 A18-49
Khloe & Lamar (E!, 10pm)
- 2.484 million viewers
- 1.6/3 HH
- 1.4/4 A18-49
- 2.4/6 W18-34
Pawn Stars (HIST, 8:30pm)
- 5.198 million viewers
- 3.1/5 HH
- 1.9/6 A18-49
Gettysburg (HIST, 120 minutes)
- 3.799 million viewers
- 2.3/4 HH
- 1.1/3 A18-49
Hard Times of RJ Berger (MTV, 10pm)
- 0.752 million viewers
- 0.6/1 HH
- 0.3/1 A18-49
- 0.6/2 W18-34
- 1.0/4 T12-17
Hard Times of RJ Berger (MTV, 10:30pm, 29 minutes)
- 0.875 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
- 0.7/2 W18-34
- 1.4/5 T12-17
Cake Boss (TLC, 9pm, 60 minutes)
- 1.778 million viewers
- 1.1/2 HH
- 0.6/2 A18-49
Adventure Time (TOON)
- 1.859 million viewers
- 1.2/2 HH
- 0.2/1 A18-49
- 1.0/4 T12-17
- 2.9/12 K2-11
Regular Show (TOON)
- 2.114 million viewers
- 1.3/2 HH
- 0.3/1 A18-49
- 1.2/5 T12-17
- 3.1/12 K2-11
Mad (TOON)
- 2.127 million viewers
- 1.3/2 HH
- 0.4/1 A18-49
- 1.1/4 T12-17
- 3.1/12 K2-11
Problem Solverz (TOON)
- 1.508 million viewers
- 0.9/1 HH
- 0.3/1 A18-49
- 0.8/3 T12-17
- 2.1/8 K2-11
WWE Tough Enough (USA)
- 2.437 million viewers
- 1.5/3 HH
- 1.0/3 A18-49
WWE Raw (USA, 9pm)
- 4.511 million viewers
- 2.6/4 HH
- 1.6/4 A18-49
WWE Raw (USA, 10pm, 66 minutes)
- 4.868 million viewers
- 2.7/5 HH
- 1.8/5 A18-49
Basketball Wives (VH1)
- 1.828 million viewers
- 1.1/2 HH
- 1.0/3 A18-49
Single Ladies (VH1, 120 minutes)
- 1.849 million viewers
- 1.1/2 HH
- 1.0/3 A18-49
Wednesday, June 1, 2011
Sunday 05/29/11 Final Cable Ratings
Breakout Kings (A&E)
- 1.314 million viewers
- 0.9/2 HH
- 0.4/1 A18-49
The Killing (AMC, 62 minutes)
- 1.971 million viewers
- 1.3/2 HH
- 0.4/1 A18-49
MLB Game (ESPN, 7:59pm, 168 minutes)
- 1.569 million viewers
- 1.0/2 HH
- 0.4/1 A18-49
Game of Thrones (HBO, 9:02pm, 57 minutes)
- 2.396 million viewers
- 1.5/3 HH
- 0.9/3 A18-49
Treme (HBO, 10:02pm, 57 minutes)
- 0.531 million viewers
- 0.4/1 HH
- 0.2/1 A18-49
Coming Home (LIF)
- 1.431 million viewers
- 1.0/2 HH
- 0.4/1 A18-49
- 0.7/2 W25-54
My Big Fat Gypsy Wedding (TLC, 9pm)
- 2.138 million viewers
- 1.3/2 HH
- 0.8/2 A18-49
My Big Fat Gypsy Wedding (TLC, 10pm)
- 2.271 million viewers
- 1.4/3 HH
- 0.9/3 A18-49
Mob Wives (VH1, 8pm)
- 1.064 million viewers
- 0.7/1 HH
- 0.6/2 A18-49
Audrina (VH1)
- 0.576 million viewers
- 0.4/1 HH
- 0.3/1 A18-49
Saddle Ranch (VH1)
- 0.483 million viewers
- 0.3/1 HH
- 0.3/1 A18-49
- 1.314 million viewers
- 0.9/2 HH
- 0.4/1 A18-49
The Killing (AMC, 62 minutes)
- 1.971 million viewers
- 1.3/2 HH
- 0.4/1 A18-49
MLB Game (ESPN, 7:59pm, 168 minutes)
- 1.569 million viewers
- 1.0/2 HH
- 0.4/1 A18-49
Game of Thrones (HBO, 9:02pm, 57 minutes)
- 2.396 million viewers
- 1.5/3 HH
- 0.9/3 A18-49
Treme (HBO, 10:02pm, 57 minutes)
- 0.531 million viewers
- 0.4/1 HH
- 0.2/1 A18-49
Coming Home (LIF)
- 1.431 million viewers
- 1.0/2 HH
- 0.4/1 A18-49
- 0.7/2 W25-54
My Big Fat Gypsy Wedding (TLC, 9pm)
- 2.138 million viewers
- 1.3/2 HH
- 0.8/2 A18-49
My Big Fat Gypsy Wedding (TLC, 10pm)
- 2.271 million viewers
- 1.4/3 HH
- 0.9/3 A18-49
Mob Wives (VH1, 8pm)
- 1.064 million viewers
- 0.7/1 HH
- 0.6/2 A18-49
Audrina (VH1)
- 0.576 million viewers
- 0.4/1 HH
- 0.3/1 A18-49
Saddle Ranch (VH1)
- 0.483 million viewers
- 0.3/1 HH
- 0.3/1 A18-49
Monday 05/30/11 Final Broadcast Ratings
The Bachelorette (121 minutes)
- 7.227 million viewers
- 4.6/8 HH
- 2.2/6 A18-49
Extreme Makeover Weight Loss Edition (59 minutes)
- 7.107 million viewers
- 4.5/7 HH
- 2.4/6 A18-49
How I Met Your Mother (R)
- 4.398 million viewers
- 2.8/5 HH
- 1.4/4 A18-49
Mad Love (R)
- 4.206 million viewers
- 2.7/4 HH
- 1.3/4 A18-49
Two and a Half Men (R, 31 minutes)
- 6.487 million viewers
- 4.1/7 HH
- 1.6/5 A18-49
Mike & Molly (R)
- 6.381 million viewers
- 4.0/6 HH
- 1.6/4 A18-49
Hawaii Five-0 (R, 59 minutes)
- 5.756 million viewers
- 3.7/6 HH
- 1.3/3 A18-49
Minute to Win It (R)
- 3.727 million viewers
- 2.3/4 HH
- 0.9/3 A18-49
Law & Order: Criminal Intent
- 5.106 million viewers
- 3.2/5 HH
- 1.0/3 A18-49
Law & Order: Los Angeles
- 6.593 million viewers
- 4.3/7 HH
- 1.5/4 A18-49
House (R, 8pm, 61 minutes)
- 3.408 million viewers
- 2.1/4 HH
- 0.9/3 A18-49
House (R, 9:01pm, 59 minutes)
- 3.293 million viewers
- 2.0/3 HH
- 0.9/2 A18-49
90210 (R)
- 0.510 million viewers
- 0.3/1 HH
- 0.2/1 A18-49
- 0.2/1 A18-34
- 0.3/1 W18-34
Gossip Girl (R)
- 0.541 million viewers
- 0.3/1 HH
- 0.2/1 A18-49
- 0.2/1 A18-34
- 0.2/1 W18-34
- 7.227 million viewers
- 4.6/8 HH
- 2.2/6 A18-49
Extreme Makeover Weight Loss Edition (59 minutes)
- 7.107 million viewers
- 4.5/7 HH
- 2.4/6 A18-49
How I Met Your Mother (R)
- 4.398 million viewers
- 2.8/5 HH
- 1.4/4 A18-49
Mad Love (R)
- 4.206 million viewers
- 2.7/4 HH
- 1.3/4 A18-49
Two and a Half Men (R, 31 minutes)
- 6.487 million viewers
- 4.1/7 HH
- 1.6/5 A18-49
Mike & Molly (R)
- 6.381 million viewers
- 4.0/6 HH
- 1.6/4 A18-49
Hawaii Five-0 (R, 59 minutes)
- 5.756 million viewers
- 3.7/6 HH
- 1.3/3 A18-49
Minute to Win It (R)
- 3.727 million viewers
- 2.3/4 HH
- 0.9/3 A18-49
Law & Order: Criminal Intent
- 5.106 million viewers
- 3.2/5 HH
- 1.0/3 A18-49
Law & Order: Los Angeles
- 6.593 million viewers
- 4.3/7 HH
- 1.5/4 A18-49
House (R, 8pm, 61 minutes)
- 3.408 million viewers
- 2.1/4 HH
- 0.9/3 A18-49
House (R, 9:01pm, 59 minutes)
- 3.293 million viewers
- 2.0/3 HH
- 0.9/2 A18-49
90210 (R)
- 0.510 million viewers
- 0.3/1 HH
- 0.2/1 A18-49
- 0.2/1 A18-34
- 0.3/1 W18-34
Gossip Girl (R)
- 0.541 million viewers
- 0.3/1 HH
- 0.2/1 A18-49
- 0.2/1 A18-34
- 0.2/1 W18-34
Friday, May 13, 2011
Wednesday 05/11/11 Final Cable Ratings
Top Chef Masters (BRAVO, 10pm)
- 1.199 million viewers
- 0.8/1 HH
- 0.6/2 A18-49
South Park (CMDY, 10pm)
- 2.435 million viewers
- 1.7/3 HH
- 1.3/3 A18-49
- 2.3/7 M18-34
Workaholics (CMDY)
- 1.355 million viewers
- 1.0/2 HH
- 0.8/2 A18-49
- 1.7/6 M18-34
Mythbusters (DISC, 9pm)
- 1.620 million viewers
- 1.0/2 HH
- 0.7/2 A18-49
Real World Las Vegas (MTV, 10pm)
- 2.070 million viewers
- 1.4/2 HH
- 1.3/3 A18-49
- 2.9/8 W18-34
- 1.0/4 T12-17
The Ultimate Fighter (SPIKE, 9pm)
- 1.009 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
House of Payne (TBS, 10pm)
- 1.834 million viewers
- 1.0/2 HH
- 0.8/2 A18-49
House of Payne (TBS, 10:30pm)
- 2.019 million viewers
- 1.1/2 HH
- 0.9/2 A18-49
Extreme Couponing (TLC, 9:30pm)
- 1.736 million viewers
- 1.1/2 HH
- 0.8/2 A18-49
NBA Playoffs (TNT, 7pm, 160 minutes)
- 6.777 million viewers
- 4.3/8 HH
- 2.9/10 A18-49
NBA Playoffs (TNT, 9:40pm, 153 minutes)
- 5.462 million viewers
- 3.4/6 HH
- 2.4/7 A18-49
- 1.199 million viewers
- 0.8/1 HH
- 0.6/2 A18-49
South Park (CMDY, 10pm)
- 2.435 million viewers
- 1.7/3 HH
- 1.3/3 A18-49
- 2.3/7 M18-34
Workaholics (CMDY)
- 1.355 million viewers
- 1.0/2 HH
- 0.8/2 A18-49
- 1.7/6 M18-34
Mythbusters (DISC, 9pm)
- 1.620 million viewers
- 1.0/2 HH
- 0.7/2 A18-49
Real World Las Vegas (MTV, 10pm)
- 2.070 million viewers
- 1.4/2 HH
- 1.3/3 A18-49
- 2.9/8 W18-34
- 1.0/4 T12-17
The Ultimate Fighter (SPIKE, 9pm)
- 1.009 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
House of Payne (TBS, 10pm)
- 1.834 million viewers
- 1.0/2 HH
- 0.8/2 A18-49
House of Payne (TBS, 10:30pm)
- 2.019 million viewers
- 1.1/2 HH
- 0.9/2 A18-49
Extreme Couponing (TLC, 9:30pm)
- 1.736 million viewers
- 1.1/2 HH
- 0.8/2 A18-49
NBA Playoffs (TNT, 7pm, 160 minutes)
- 6.777 million viewers
- 4.3/8 HH
- 2.9/10 A18-49
NBA Playoffs (TNT, 9:40pm, 153 minutes)
- 5.462 million viewers
- 3.4/6 HH
- 2.4/7 A18-49
Wednesday 05/11/11 Final Broadcast Ratings
The Middle
- 7.247 million viewers
- 4.3/7 HH
- 2.2/7 A18-49
Better With You
- 5.950 million viewers
- 3.6/6 HH
- 2.0/6 A18-49
Modern Family (31 minutes)
- 10.150 million viewers
- 6.1/9 HH
- 4.3/11 A18-49
Cougar Town (29 minutes)
- 6.016 million viewers
- 3.7/6 HH
- 2.3/6 A18-49
Happy Endings (10pm)
- 4.178 million viewers
- 2.7/4 HH
- 1.7/4 A18-49
Happy Endings (10:30pm)
- 3.463 million viewers
- 2.3/4 HH
- 1.4/4 A18-49
Survivor
- 10.771 million viewers
- 6.3/10 HH
- 3.1/9 A18-49
Criminal Minds
- 13.292 million viewers
- 8.2/13 HH
- 3.3/9 A18-49
Criminal Minds: Suspect Behavior
- 9.305 million viewers
- 6.0/10 HH
- 2.1/6 A18-49
Minute to Win It (8pm)
- 3.063 million viewers
- 1.8/3 HH
- 0.9/3 A18-49
Minute to Win It (R, 9pm)
- 3.582 million viewers
- 2.1/3 HH
- 1.1/3 A18-49
Law & Order: SVU
- 8.100 million viewers
- 5.2/9 HH
- 2.4/7 A18-49
American Idol (91 minutes)
- 23.046 million viewers
- 13.0/21 HH
- 7.1/20 A18-49
Breaking In (29 minutes)
- 6.949 million viewers
- 4.0/6 HH
- 2.3/6 A18-49
America's Next Top Model (R, 8pm, 95% coverage CW normally 96%)
- 1.200 million viewers
- 0.8/1 HH
- 0.5/2 A18-49
- 0.5/2 A18-34
- 0.7/2 W18-34
America's Next Top Model (9pm)
- 2.032 million viewers
- 1.4/2 HH
- 1.0/3 A18-49
- 1.1/3 A18-34
- 1.7/5 W18-34
- 7.247 million viewers
- 4.3/7 HH
- 2.2/7 A18-49
Better With You
- 5.950 million viewers
- 3.6/6 HH
- 2.0/6 A18-49
Modern Family (31 minutes)
- 10.150 million viewers
- 6.1/9 HH
- 4.3/11 A18-49
Cougar Town (29 minutes)
- 6.016 million viewers
- 3.7/6 HH
- 2.3/6 A18-49
Happy Endings (10pm)
- 4.178 million viewers
- 2.7/4 HH
- 1.7/4 A18-49
Happy Endings (10:30pm)
- 3.463 million viewers
- 2.3/4 HH
- 1.4/4 A18-49
Survivor
- 10.771 million viewers
- 6.3/10 HH
- 3.1/9 A18-49
Criminal Minds
- 13.292 million viewers
- 8.2/13 HH
- 3.3/9 A18-49
Criminal Minds: Suspect Behavior
- 9.305 million viewers
- 6.0/10 HH
- 2.1/6 A18-49
Minute to Win It (8pm)
- 3.063 million viewers
- 1.8/3 HH
- 0.9/3 A18-49
Minute to Win It (R, 9pm)
- 3.582 million viewers
- 2.1/3 HH
- 1.1/3 A18-49
Law & Order: SVU
- 8.100 million viewers
- 5.2/9 HH
- 2.4/7 A18-49
American Idol (91 minutes)
- 23.046 million viewers
- 13.0/21 HH
- 7.1/20 A18-49
Breaking In (29 minutes)
- 6.949 million viewers
- 4.0/6 HH
- 2.3/6 A18-49
America's Next Top Model (R, 8pm, 95% coverage CW normally 96%)
- 1.200 million viewers
- 0.8/1 HH
- 0.5/2 A18-49
- 0.5/2 A18-34
- 0.7/2 W18-34
America's Next Top Model (9pm)
- 2.032 million viewers
- 1.4/2 HH
- 1.0/3 A18-49
- 1.1/3 A18-34
- 1.7/5 W18-34
Wednesday, May 11, 2011
Tuesday 05/10/11 Final Cable Ratings
Toya: A Family Affair (BET, 10pm)
- 1.014 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
Pregnant in Heels (BRAVO)
- 0.461 million viewers
- 0.4/1 HH
- 0.3/1 A18-49
Deadliest Catch (DISC, 9pm, 61 minutes)
- 2.899 million viewers
- 1.8/3 HH
- 1.4/4 A18-49
Only in America (HIST, 9pm)
- 1.525 million viewers
- 1.0/1 HH
- 0.4/1 A18-49
How the States Got Shapes (HIST)
- 1.344 million viewers
- 0.9/1 HH
- 0.4/1 A18-49
16 and Pregnant (MTV, 9pm)
- 1.457 million viewers
- 1.0/1 HH
- 0.8/2 A18-49
- 1.8/5 W18-34
- 0.8/3 T12-17
Auction Hunters (SPIKE, 10pm)
- 1.480 million viewers
- 0.9/1 HH
- 0.6/2 A18-49
NBA Playoffs (TNT, 8:15pm, 159 minutes)
- 5.100 million viewers
- 3.3/5 HH
- 2.1/6 A18-49
Hardcore Pawn (TRU, 9pm)
- 1.770 million viewers
- 1.1/2 HH
- 0.7/2 A18-49
The Looney Tunes Show (TOON)
- 2.228 million viewers
- 1.4/2 HH
- 0.5/2 A18-49
- 1.2/5 T12-17
- 3.0/11 K2-11
Gumball (TOON)
- 1.937 million viewers
- 1.2/2 HH
- 0.3/1 A18-49
- 1.0/3 T12-17
- 3.0/11 K2-11
- 1.014 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
Pregnant in Heels (BRAVO)
- 0.461 million viewers
- 0.4/1 HH
- 0.3/1 A18-49
Deadliest Catch (DISC, 9pm, 61 minutes)
- 2.899 million viewers
- 1.8/3 HH
- 1.4/4 A18-49
Only in America (HIST, 9pm)
- 1.525 million viewers
- 1.0/1 HH
- 0.4/1 A18-49
How the States Got Shapes (HIST)
- 1.344 million viewers
- 0.9/1 HH
- 0.4/1 A18-49
16 and Pregnant (MTV, 9pm)
- 1.457 million viewers
- 1.0/1 HH
- 0.8/2 A18-49
- 1.8/5 W18-34
- 0.8/3 T12-17
Auction Hunters (SPIKE, 10pm)
- 1.480 million viewers
- 0.9/1 HH
- 0.6/2 A18-49
NBA Playoffs (TNT, 8:15pm, 159 minutes)
- 5.100 million viewers
- 3.3/5 HH
- 2.1/6 A18-49
Hardcore Pawn (TRU, 9pm)
- 1.770 million viewers
- 1.1/2 HH
- 0.7/2 A18-49
The Looney Tunes Show (TOON)
- 2.228 million viewers
- 1.4/2 HH
- 0.5/2 A18-49
- 1.2/5 T12-17
- 3.0/11 K2-11
Gumball (TOON)
- 1.937 million viewers
- 1.2/2 HH
- 0.3/1 A18-49
- 1.0/3 T12-17
- 3.0/11 K2-11
Tuesday 05/10/11 Final Broadcast Ratings
Dancing with the Stars (8pm)
- 11.280 million viewers
- 7.3/12 HH
- 2.1/7 A18-49
Dancing with the Stars (9pm, 61 minutes)
- 17.538 million viewers
- 11.1/17 HH
- 3.4/9 A18-49
Body of Proof (59 minutes)
- 10.109 million viewers
- 6.7/11 HH
- 2.1/5 A18-49
NCIS
- 17.620 million viewers
- 10.9/18 HH
- 3.5/11 A18-49
NCIS: Los Angeles
- 14.744 million viewers
- 9.3/14 HH
- 2.8/7 A18-49
The Good Wife
- 11.731 million viewers
- 7.7/12 HH
- 2.0/5 A18-49
The Biggest Loser (120 minutes)
- 6.961 million viewers
- 4.3/7 HH
- 2.6/8 A18-49
The Voice
- 10.450 million viewers
- 6.2/10 HH
- 4.7/12 A18-49
Glee (61 minutes)
- 9.294 million viewers
- 5.6/9 HH
- 3.7/11 A18-49
- 3.7/13 A18-34
- 4.7/15 W18-34
Raising Hope
- 5.046 million viewers
- 3.0/5 HH
- 2.0/5 A18-49
Traffic Light (29 minutes)
- 3.046 million viewers
- 1.8/3 HH
- 1.3/3 A18-49
One Tree Hill
- 1.301 million viewers
- 0.9/1 HH
- 0.6/2 A18-49
- 0.8/3 A18-34
- 1.2/4 W18-34
Hellcats
- 1.180 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
- 0.6/2 A18-34
- 0.8/2 W18-34
- 11.280 million viewers
- 7.3/12 HH
- 2.1/7 A18-49
Dancing with the Stars (9pm, 61 minutes)
- 17.538 million viewers
- 11.1/17 HH
- 3.4/9 A18-49
Body of Proof (59 minutes)
- 10.109 million viewers
- 6.7/11 HH
- 2.1/5 A18-49
NCIS
- 17.620 million viewers
- 10.9/18 HH
- 3.5/11 A18-49
NCIS: Los Angeles
- 14.744 million viewers
- 9.3/14 HH
- 2.8/7 A18-49
The Good Wife
- 11.731 million viewers
- 7.7/12 HH
- 2.0/5 A18-49
The Biggest Loser (120 minutes)
- 6.961 million viewers
- 4.3/7 HH
- 2.6/8 A18-49
The Voice
- 10.450 million viewers
- 6.2/10 HH
- 4.7/12 A18-49
Glee (61 minutes)
- 9.294 million viewers
- 5.6/9 HH
- 3.7/11 A18-49
- 3.7/13 A18-34
- 4.7/15 W18-34
Raising Hope
- 5.046 million viewers
- 3.0/5 HH
- 2.0/5 A18-49
Traffic Light (29 minutes)
- 3.046 million viewers
- 1.8/3 HH
- 1.3/3 A18-49
One Tree Hill
- 1.301 million viewers
- 0.9/1 HH
- 0.6/2 A18-49
- 0.8/3 A18-34
- 1.2/4 W18-34
Hellcats
- 1.180 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
- 0.6/2 A18-34
- 0.8/2 W18-34
Tuesday, May 10, 2011
Monday 05/09/11 Final Cable Ratings
Secret Life of the American Teenager (ABCF, 8pm)
- 2.050 million viewers
- 1.4/2 HH
- 0.8/2 A18-49
- 1.5/5 W18-34
- 2.7/10 T12-17
Make It or Break It (ABCF)
- 1.515 million viewers
- 1.1/2 HH
- 0.6/1 A18-49
- 1.9/7 T12-17
Bethenny Ever After (BRAVO, 9pm)
- 1.728 million viewers
- 1.3/2 HH
- 0.9/2 A18-49
American Chopper: Senior vs Junior (DISC, 9pm)
- 2.520 million viewers
- 1.6/2 HH
- 1.1/3 A18-49
Pawn Stars (HIST, 10pm)
- 5.909 million viewers
- 3.5/5 HH
- 2.1/5 A18-49
Pawn Stars (HIST, 10:30pm)
- 6.199 million viewers
- 3.8/6 HH
- 2.4/6 A18-49
Justice for Natalee Holloway (LIF, 120 minutes)
- 0.988 million viewers
- 0.7/1 HH
- 0.3/1 A18-49
- 0.5/1 W25-54
Vanished (LIF)
- 0.925 million viewers
- 0.6/1 HH
- 0.3/1 A18-49
- 0.5/1 W25-54
True Life (MTV, 9pm)
- 0.781 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
- 0.9/2 W18-34
- 0.9/3 T12-17
Hard Times of RJ Berger (MTV)
- 0.872 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
- 0.7/2 W18-34
- 1.2/4 T12-17
Rob Dyrdek's Fantasy Factory (MTV)
- 1.229 million viewers
- 0.8/1 HH
- 0.7/2 A18-49
- 1.0/3 W18-34
- 1.2/5 T12-17
Bad Girls Club (OXYG, 9pm)
- 1.482 million viewers
- 0.9/1 HH
- 0.7/2 A18-49
- 1.5/4 W18-34
Love Games (OXYG)
- 1.047 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
- 1.0/3 W18-34
Nurse Jackie (SHO, 10pm, 28 minutes)
- 0.467 million viewers
- 0.3/1 HH
- 0.2/0 A18-49
United States of Tara (SHO, 10:30pm, 28 minutes)
- 0.288 million viewers
- 0.2/0 HH
- 0.1/0 A18-49
Stargate Universe (SYFY, 9pm)
- 1.134 million viewers
- 0.8/1 HH
- 0.5/1 A18-49
Sanctuary (SYFY)
- 0.756 million viewers
- 0.5/1 HH
- 0.2/1 A18-49
NBA Playoffs (TNT, 7pm, 176 minutes)
- 7.824 million viewers
- 4.7/8 HH
- 3.4/11 A18-49
NBA Playoffs (TNT, 9:56pm, 227 minutes)
- 5.592 million viewers
- 3.5/7 HH
- 2.6/9 A18-49
Adventure Time (TOON)
- 1.975 million viewers
- 1.4/2 HH
- 0.3/1 A18-49
- 1.6/7 T12-17
- 3.8/11 K2-11
Regular Show (TOON)
- 1.926 million viewers
- 1.4/2 HH
- 0.3/1 A18-49
- 1.4/6 T12-17
- 2.8/10 K2-11
Mad (TOON)
- 1.887 million viewers
- 1.3/2 HH
- 0.2/1 A18-49
- 1.4/5 T12-17
- 2.8/10 K2-11
Problem Solverz (TOON)
- 1.424 million viewers
- 0.9/1 HH
- 0.2/1 A18-49
- 1.2/4 T12-17
- 2.0/7 K2-11
WWE Tough Enough (USA)
- 2.471 million viewers
- 1.4/2 HH
- 0.9/3 A18-49
WWE Raw (USA, 9pm)
- 4.810 million viewers
- 2.7/4 HH
- 1.7/4 A18-49
WWE Raw (USA, 10pm, 65 minutes)
- 5.074 million viewers
- 2.8/5 HH
- 1.9/5 A18-49
Beverly Hills Fabulous (VH1)
- 0.505 million viewers
- 0.3/0 HH
- 0.3/1 A18-49
- 2.050 million viewers
- 1.4/2 HH
- 0.8/2 A18-49
- 1.5/5 W18-34
- 2.7/10 T12-17
Make It or Break It (ABCF)
- 1.515 million viewers
- 1.1/2 HH
- 0.6/1 A18-49
- 1.9/7 T12-17
Bethenny Ever After (BRAVO, 9pm)
- 1.728 million viewers
- 1.3/2 HH
- 0.9/2 A18-49
American Chopper: Senior vs Junior (DISC, 9pm)
- 2.520 million viewers
- 1.6/2 HH
- 1.1/3 A18-49
Pawn Stars (HIST, 10pm)
- 5.909 million viewers
- 3.5/5 HH
- 2.1/5 A18-49
Pawn Stars (HIST, 10:30pm)
- 6.199 million viewers
- 3.8/6 HH
- 2.4/6 A18-49
Justice for Natalee Holloway (LIF, 120 minutes)
- 0.988 million viewers
- 0.7/1 HH
- 0.3/1 A18-49
- 0.5/1 W25-54
Vanished (LIF)
- 0.925 million viewers
- 0.6/1 HH
- 0.3/1 A18-49
- 0.5/1 W25-54
True Life (MTV, 9pm)
- 0.781 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
- 0.9/2 W18-34
- 0.9/3 T12-17
Hard Times of RJ Berger (MTV)
- 0.872 million viewers
- 0.6/1 HH
- 0.4/1 A18-49
- 0.7/2 W18-34
- 1.2/4 T12-17
Rob Dyrdek's Fantasy Factory (MTV)
- 1.229 million viewers
- 0.8/1 HH
- 0.7/2 A18-49
- 1.0/3 W18-34
- 1.2/5 T12-17
Bad Girls Club (OXYG, 9pm)
- 1.482 million viewers
- 0.9/1 HH
- 0.7/2 A18-49
- 1.5/4 W18-34
Love Games (OXYG)
- 1.047 million viewers
- 0.7/1 HH
- 0.5/1 A18-49
- 1.0/3 W18-34
Nurse Jackie (SHO, 10pm, 28 minutes)
- 0.467 million viewers
- 0.3/1 HH
- 0.2/0 A18-49
United States of Tara (SHO, 10:30pm, 28 minutes)
- 0.288 million viewers
- 0.2/0 HH
- 0.1/0 A18-49
Stargate Universe (SYFY, 9pm)
- 1.134 million viewers
- 0.8/1 HH
- 0.5/1 A18-49
Sanctuary (SYFY)
- 0.756 million viewers
- 0.5/1 HH
- 0.2/1 A18-49
NBA Playoffs (TNT, 7pm, 176 minutes)
- 7.824 million viewers
- 4.7/8 HH
- 3.4/11 A18-49
NBA Playoffs (TNT, 9:56pm, 227 minutes)
- 5.592 million viewers
- 3.5/7 HH
- 2.6/9 A18-49
Adventure Time (TOON)
- 1.975 million viewers
- 1.4/2 HH
- 0.3/1 A18-49
- 1.6/7 T12-17
- 3.8/11 K2-11
Regular Show (TOON)
- 1.926 million viewers
- 1.4/2 HH
- 0.3/1 A18-49
- 1.4/6 T12-17
- 2.8/10 K2-11
Mad (TOON)
- 1.887 million viewers
- 1.3/2 HH
- 0.2/1 A18-49
- 1.4/5 T12-17
- 2.8/10 K2-11
Problem Solverz (TOON)
- 1.424 million viewers
- 0.9/1 HH
- 0.2/1 A18-49
- 1.2/4 T12-17
- 2.0/7 K2-11
WWE Tough Enough (USA)
- 2.471 million viewers
- 1.4/2 HH
- 0.9/3 A18-49
WWE Raw (USA, 9pm)
- 4.810 million viewers
- 2.7/4 HH
- 1.7/4 A18-49
WWE Raw (USA, 10pm, 65 minutes)
- 5.074 million viewers
- 2.8/5 HH
- 1.9/5 A18-49
Beverly Hills Fabulous (VH1)
- 0.505 million viewers
- 0.3/0 HH
- 0.3/1 A18-49
Monday 05/09/11 Final Broadcast Ratings
Dancing with the Stars (121 minutes)
- 20.744 million viewers
- 12.9/20 HH
- 4.2/12 A18-49
Castle (59 minutes)
- 12.601 million viewers
- 8.0/13 HH
- 3.1/8 A18-49
How I Met Your Mother
- 6.408 million viewers
- 4.1/7 HH
- 2.6/8 A18-49
Mad Love
- 5.109 million viewers
- 3.4/5 HH
- 1.9/5 A18-49
Two and a Half Men (R, 31 minutes)
- 6.451 million viewers
- 4.2/6 HH
- 1.8/5 A18-49
Mike & Molly
- 7.626 million viewers
- 4.9/7 HH
- 2.3/6 A18-49
Hawaii Five-0 (59 minutes)
- 9.445 million viewers
- 6.0/10 HH
- 2.3/6 A18-49
Chuck
- 4.099 million viewers
- 2.4/4 HH
- 1.4/4 A18-49
The Event
- 3.850 million viewers
- 2.4/4 HH
- 1.1/3 A18-49
Law & Order: Los Angeles
- 5.056 million viewers
- 3.4/5 HH
- 1.2/3 A18-49
House (61 minutes)
- 7.941 million viewers
- 4.8/8 HH
- 3.0/9 A18-49
The Chicago Code (59 minutes)
- 5.672 million viewers
- 3.5/5 HH
- 1.7/4 A18-49
90210
- 1.432 million viewers
- 1.0/2 HH
- 0.7/2 A18-49
- 0.8/3 A18-34
- 1.2/4 W18-34
Gossip Girl
- 1.201 million viewers
- 0.9/1 HH
- 0.6/2 A18-49
- 0.9/3 A18-34
- 1.4/4 W18-34
- 20.744 million viewers
- 12.9/20 HH
- 4.2/12 A18-49
Castle (59 minutes)
- 12.601 million viewers
- 8.0/13 HH
- 3.1/8 A18-49
How I Met Your Mother
- 6.408 million viewers
- 4.1/7 HH
- 2.6/8 A18-49
Mad Love
- 5.109 million viewers
- 3.4/5 HH
- 1.9/5 A18-49
Two and a Half Men (R, 31 minutes)
- 6.451 million viewers
- 4.2/6 HH
- 1.8/5 A18-49
Mike & Molly
- 7.626 million viewers
- 4.9/7 HH
- 2.3/6 A18-49
Hawaii Five-0 (59 minutes)
- 9.445 million viewers
- 6.0/10 HH
- 2.3/6 A18-49
Chuck
- 4.099 million viewers
- 2.4/4 HH
- 1.4/4 A18-49
The Event
- 3.850 million viewers
- 2.4/4 HH
- 1.1/3 A18-49
Law & Order: Los Angeles
- 5.056 million viewers
- 3.4/5 HH
- 1.2/3 A18-49
House (61 minutes)
- 7.941 million viewers
- 4.8/8 HH
- 3.0/9 A18-49
The Chicago Code (59 minutes)
- 5.672 million viewers
- 3.5/5 HH
- 1.7/4 A18-49
90210
- 1.432 million viewers
- 1.0/2 HH
- 0.7/2 A18-49
- 0.8/3 A18-34
- 1.2/4 W18-34
Gossip Girl
- 1.201 million viewers
- 0.9/1 HH
- 0.6/2 A18-49
- 0.9/3 A18-34
- 1.4/4 W18-34
Wednesday 05/04/11 Final Cable Ratings
Top Chef Masters (BRAVO, 10pm)
- 1.144 million viewers
- 0.8/1 HH
- 0.6/1 A18-49
South Park (CMDY, 10pm)
- 2.591 million viewers
- 1.7/3 HH
- 1.4/4 A18-49
- 2.9/9 M18-34
Workaholics (CMDY)
- 1.458 million viewers
- 1.0/2 HH
- 0.8/2 A18-49
- 1.9/6 M18-34
Mythbusters (DISC, 9pm)
- 1.372 million viewers
- 0.9/1 HH
- 0.5/1 A18-49
Justified (FX, 63 minutes)
- 2.676 million viewers
- 1.6/3 HH
- 0.9/2 A18-49
Time Machine (HIST, 9pm, 120 minutes)
- 1.738 million viewers
- 1.1/2 HH
- 0.3/1 A18-49
Real World Las Vegas (MTV, 10pm)
- 2.269 million viewers
- 1.7/3 HH
- 1.3/3 A18-49
- 3.0/8 W18-34
- 1.7/7 T12-17
House of Payne (TBS, 10pm)
- 1.773 million viewers
- 1.1/2 HH
- 0.7/2 A18-49
House of Payne (TBS, 10:30pm)
- 1.940 million viewers
- 1.1/2 HH
- 0.8/2 A18-49
Extreme Couponing (TLC, 9:30pm)
- 1.874 million viewers
- 1.1/2 HH
-0.9/2 A18-49
NBA Playoffs (TNT, 8pm, 165 minutes)
- 5.211 million viewers
- 3.3/5 HH
- 2.2/6 A18-49
NBA Playoffs (TNT, 10:45pm, 151 minutes)
- 7.036 million viewers
- 4.5/9 HH
- 3.2/11 A18-49
- 1.144 million viewers
- 0.8/1 HH
- 0.6/1 A18-49
South Park (CMDY, 10pm)
- 2.591 million viewers
- 1.7/3 HH
- 1.4/4 A18-49
- 2.9/9 M18-34
Workaholics (CMDY)
- 1.458 million viewers
- 1.0/2 HH
- 0.8/2 A18-49
- 1.9/6 M18-34
Mythbusters (DISC, 9pm)
- 1.372 million viewers
- 0.9/1 HH
- 0.5/1 A18-49
Justified (FX, 63 minutes)
- 2.676 million viewers
- 1.6/3 HH
- 0.9/2 A18-49
Time Machine (HIST, 9pm, 120 minutes)
- 1.738 million viewers
- 1.1/2 HH
- 0.3/1 A18-49
Real World Las Vegas (MTV, 10pm)
- 2.269 million viewers
- 1.7/3 HH
- 1.3/3 A18-49
- 3.0/8 W18-34
- 1.7/7 T12-17
House of Payne (TBS, 10pm)
- 1.773 million viewers
- 1.1/2 HH
- 0.7/2 A18-49
House of Payne (TBS, 10:30pm)
- 1.940 million viewers
- 1.1/2 HH
- 0.8/2 A18-49
Extreme Couponing (TLC, 9:30pm)
- 1.874 million viewers
- 1.1/2 HH
-0.9/2 A18-49
NBA Playoffs (TNT, 8pm, 165 minutes)
- 5.211 million viewers
- 3.3/5 HH
- 2.2/6 A18-49
NBA Playoffs (TNT, 10:45pm, 151 minutes)
- 7.036 million viewers
- 4.5/9 HH
- 3.2/11 A18-49
Wednesday 05/04/11 Final Broadcast Ratings
The Middle
- 7.083 million viewers
- 4.5/8 HH
- 2.0/6 A18-49
Better With You
- 5.412 million viewers
- 3.6/6 HH
- 1.6/5 A18-49
Modern Family (31 minutes)
- 9.898 million viewers
- 6.2/9 HH
- 3.9/10 A18-49
Cougar Town (29 minutes)
- 5.491 million viewers
- 3.6/6 HH
- 2.2/6 A18-49
Happy Endings (10pm)
- 3.882 million viewers
- 2.5/4 HH
- 1.7/4 A18-49
Happy Endings (10:30pm)
- 3.261 million viewers
- 2.2/4 HH
- 1.4/4 A18-49
Survivor
- 10.990 million viewers
- 6.4/10 HH
- 3.1/9 A18-49
Criminal Minds
- 12.901 million viewers
- 8.0/12 HH
- 3.2/8 A18-49
Criminal Minds: Suspect Behavior
- 8.832 million viewers
- 5.8/9 HH
- 2.2/6 A18-49
Minute to Win It (8pm)
- 3.420 million viewers
- 2.1/3 HH
- 1.0/3 A18-49
Minute to Win It (R, 9pm)
- 3.531 million viewers
- 2.1/3 HH
- 1.1/3 A18-49
Law & Order: SVU
- 8.529 million viewers
- 5.5/9 HH
- 2.6/7 A18-49
American Idol (90 minutes)
- 21.137 million viewers
- 12.2/19 HH
- 6.6/19 A18-49
Breaking In
- 7.073 million viewers
- 4.2/6 HH
- 2.4/6 A18-49
America's Next Top Model (R, 8pm, 95% coverage CW normally 96%)
- 1.122 million viewers
- 0.7/1 HH
- 0.4/1 A18-49
- 0.4/1 A18-34
- 0.6/2 W18-34
America's Next Top Model (9pm)
- 1.935 million viewers
- 1.4/2 HH
- 0.9/2 A18-49
- 0.9/3 A18-34
- 1.4/4 W18-34
- 7.083 million viewers
- 4.5/8 HH
- 2.0/6 A18-49
Better With You
- 5.412 million viewers
- 3.6/6 HH
- 1.6/5 A18-49
Modern Family (31 minutes)
- 9.898 million viewers
- 6.2/9 HH
- 3.9/10 A18-49
Cougar Town (29 minutes)
- 5.491 million viewers
- 3.6/6 HH
- 2.2/6 A18-49
Happy Endings (10pm)
- 3.882 million viewers
- 2.5/4 HH
- 1.7/4 A18-49
Happy Endings (10:30pm)
- 3.261 million viewers
- 2.2/4 HH
- 1.4/4 A18-49
Survivor
- 10.990 million viewers
- 6.4/10 HH
- 3.1/9 A18-49
Criminal Minds
- 12.901 million viewers
- 8.0/12 HH
- 3.2/8 A18-49
Criminal Minds: Suspect Behavior
- 8.832 million viewers
- 5.8/9 HH
- 2.2/6 A18-49
Minute to Win It (8pm)
- 3.420 million viewers
- 2.1/3 HH
- 1.0/3 A18-49
Minute to Win It (R, 9pm)
- 3.531 million viewers
- 2.1/3 HH
- 1.1/3 A18-49
Law & Order: SVU
- 8.529 million viewers
- 5.5/9 HH
- 2.6/7 A18-49
American Idol (90 minutes)
- 21.137 million viewers
- 12.2/19 HH
- 6.6/19 A18-49
Breaking In
- 7.073 million viewers
- 4.2/6 HH
- 2.4/6 A18-49
America's Next Top Model (R, 8pm, 95% coverage CW normally 96%)
- 1.122 million viewers
- 0.7/1 HH
- 0.4/1 A18-49
- 0.4/1 A18-34
- 0.6/2 W18-34
America's Next Top Model (9pm)
- 1.935 million viewers
- 1.4/2 HH
- 0.9/2 A18-49
- 0.9/3 A18-34
- 1.4/4 W18-34
Thursday 05/05/11 Final Cable Ratings
The First 48 (A&E, 9pm)
- 1.422 million viewer
- 0.9/1 HH
- 0.6/2 A18-49
Manhunters (A&E, 10pm)
- 1.341 million viewer
- 0.9/1 HH
- 0.5/1 A18-49
Manhunters (A&E, 10:30pm)
- 1.197 million viewer
- 0.8/1 HH
- 0.5/1 A18-49
Real Housewives of NYC (BRAVO, 10pm, 61 minutes)
- 1.828 million viewer
- 1.4/2 HH
- 0.9/2 A18-49
Swamp People (HIST, 9pm)
- 3.706 million viewer
- 2.3/4 HH
- 1.4/4 A18-49
Mounted in Alaska (HIST, 10pm)
- 1.919 million viewer
- 1.2/2 HH
- 0.7/2 A18-49
America's Best Dance Crew (MTV, 10pm)
- 2.166 million viewer
- 1.4/2 HH
- 1.0/3 A18-49
- 1.8/5 W18-34
- 2.4/9 T12-17
TNA: Impact (SPIKE, 9pm, 121 minutes)
- 1.567 million viewer
- 1.0/2 HH
- 0.5/1 A18-49
- 1.422 million viewer
- 0.9/1 HH
- 0.6/2 A18-49
Manhunters (A&E, 10pm)
- 1.341 million viewer
- 0.9/1 HH
- 0.5/1 A18-49
Manhunters (A&E, 10:30pm)
- 1.197 million viewer
- 0.8/1 HH
- 0.5/1 A18-49
Real Housewives of NYC (BRAVO, 10pm, 61 minutes)
- 1.828 million viewer
- 1.4/2 HH
- 0.9/2 A18-49
Swamp People (HIST, 9pm)
- 3.706 million viewer
- 2.3/4 HH
- 1.4/4 A18-49
Mounted in Alaska (HIST, 10pm)
- 1.919 million viewer
- 1.2/2 HH
- 0.7/2 A18-49
America's Best Dance Crew (MTV, 10pm)
- 2.166 million viewer
- 1.4/2 HH
- 1.0/3 A18-49
- 1.8/5 W18-34
- 2.4/9 T12-17
TNA: Impact (SPIKE, 9pm, 121 minutes)
- 1.567 million viewer
- 1.0/2 HH
- 0.5/1 A18-49
Thursday 05/05/11 Final Broadcast Ratings
Wipeout
- 4.785 million viewer
- 2.9/5 HH
- 1.4/5 A18-49
Grey's Anatomy (61 minutes)
- 10.107 million viewer
- 6.8/11 HH
- 3.5/10 A18-49
Private Practice (59 minutes)
- 6.886 million viewer
- 5.0/8 HH
- 2.3/6 A18-49
Big Bang Theory
- 10.503 million viewer
- 6.5/11 HH
- 3.2/11 A18-49
Rules of Engagement
- 7.721 million viewer
- 4.9/8 HH
- 2.2/7 A18-49
CSI
- 10.673 million viewer
- 6.7/11 HH
- 2.3/6 A18-49
The Mentalist
- 13.999 million viewer
- 8.6/14 HH
- 2.7/7 A18-49
Community
- 3.487 million viewer
- 2.2/4 HH
- 1.5/5 A18-49
The Office (R, 8:30pm)
- 3.681 million viewer
- 1.7/3 HH
- 1.1/3 A18-49
The Office (9pm, 31 minutes)
- 6.904 million viewer
- 4.0/6 HH
- 3.5/10 A18-49
Parks and Recreation (29 minutes)
- 5.060 million viewer
- 2.9/5 HH
- 2.5/7 A18-49
30 Rock (31 minutes)
- 4.196 million viewer
- 2.6/4 HH
- 2.1/6 A18-49
Outsourced (29 minutes)
- 3.137 million viewer
- 2.0/3 HH
- 1.5/4 A18-49
American Idol
- 21.288 million viewer
- 12.2/21 HH
- 6.3/20 A18-49
Bones
- 10.937 million viewer
- 6.5/10 HH
- 3.2/9 A18-49
The Vampire Diaries
- 2.843 million viewer
- 1.9/3 HH
- 1.3/4 A18-49
- 1.3/5 A18-34
- 1.8/6 W18-34
Nikita
- 1.997 million viewer
- 1.2/2 HH
- 0.8/2 A18-49
- 0.8/3 A18-34
- 0.9/3 W18-34
- 4.785 million viewer
- 2.9/5 HH
- 1.4/5 A18-49
Grey's Anatomy (61 minutes)
- 10.107 million viewer
- 6.8/11 HH
- 3.5/10 A18-49
Private Practice (59 minutes)
- 6.886 million viewer
- 5.0/8 HH
- 2.3/6 A18-49
Big Bang Theory
- 10.503 million viewer
- 6.5/11 HH
- 3.2/11 A18-49
Rules of Engagement
- 7.721 million viewer
- 4.9/8 HH
- 2.2/7 A18-49
CSI
- 10.673 million viewer
- 6.7/11 HH
- 2.3/6 A18-49
The Mentalist
- 13.999 million viewer
- 8.6/14 HH
- 2.7/7 A18-49
Community
- 3.487 million viewer
- 2.2/4 HH
- 1.5/5 A18-49
The Office (R, 8:30pm)
- 3.681 million viewer
- 1.7/3 HH
- 1.1/3 A18-49
The Office (9pm, 31 minutes)
- 6.904 million viewer
- 4.0/6 HH
- 3.5/10 A18-49
Parks and Recreation (29 minutes)
- 5.060 million viewer
- 2.9/5 HH
- 2.5/7 A18-49
30 Rock (31 minutes)
- 4.196 million viewer
- 2.6/4 HH
- 2.1/6 A18-49
Outsourced (29 minutes)
- 3.137 million viewer
- 2.0/3 HH
- 1.5/4 A18-49
American Idol
- 21.288 million viewer
- 12.2/21 HH
- 6.3/20 A18-49
Bones
- 10.937 million viewer
- 6.5/10 HH
- 3.2/9 A18-49
The Vampire Diaries
- 2.843 million viewer
- 1.9/3 HH
- 1.3/4 A18-49
- 1.3/5 A18-34
- 1.8/6 W18-34
Nikita
- 1.997 million viewer
- 1.2/2 HH
- 0.8/2 A18-49
- 0.8/3 A18-34
- 0.9/3 W18-34
Friday 05/06/11 Final Cable Ratings
Suite Life on Deck (DISN, 8pm, 40 minutes)
- 4.568 million viewers
- 2.8/5 HH
- 0.7/3 A18-49
- 4.1/21 T12-17
- 5.8/24 K2-11
ANT Farm (8:40pm, 30 minutes)
- 4.436 million viewers
- 2.6/5 HH
- 0.7/2 A18-49
- 3.7/17 T12-17
- 5.9/22 K2-11
NBA Playoffs (ESPN, 6:58pm, 155 minutes)
- 3.610 million viewers
- 2.3/5 HH
- 1.5/6 A18-49
NBA Playoffs (ESPN, 9:33pm, 163 minutes)
- 7.658 million viewers
- 4.7/9 HH
- 3.4/11 A18-49
NASCAR (ESPN2, 7:30pm, 150 minutes)
- 1.289 million viewers
- 0.9/2 HH
- 0.2/1 A18-49
Boxing (ESPN2, 10pm, 120 minutes)
- 0.573 million viewers
- 0.3/1 HH
- 0.2/1 A18-49
Real Time with Bill Maher (HBO, 10:01pm, 56 minutes)
- 1.048 million viewers
- 0.7/1 HH
- 0.3/1
American Restoration (HIST, 10pm)
- 2.498 million viewers
- 1.6/3 HH
- 0.8/2 A18-49A18-49
American Restoration (HIST, 10:30pm)
- 2.081 million viewers
- 1.4/2 HH
- 0.7/2 A18-49
Camelot (STARZ, 10pm, 51 minutes)
- 0.730 million viewers
- N/A HH
- 0.3/1 A18-49
WWE Smackdown (SYFY, 120 minutes)
- 2.793 million viewers
- 1.5/3 HH
- 0.8/3 A18-49
Urban Legends (SYFY, 10pm)
- 1.090 million viewers
- 0.7/1 HH
- 0.3/1 A18-49
Urban Legends (SYFY, 10:30pm)
- 0.780 million viewers
- 0.5/1 HH
- 0.2/1 A18-49
- 4.568 million viewers
- 2.8/5 HH
- 0.7/3 A18-49
- 4.1/21 T12-17
- 5.8/24 K2-11
ANT Farm (8:40pm, 30 minutes)
- 4.436 million viewers
- 2.6/5 HH
- 0.7/2 A18-49
- 3.7/17 T12-17
- 5.9/22 K2-11
NBA Playoffs (ESPN, 6:58pm, 155 minutes)
- 3.610 million viewers
- 2.3/5 HH
- 1.5/6 A18-49
NBA Playoffs (ESPN, 9:33pm, 163 minutes)
- 7.658 million viewers
- 4.7/9 HH
- 3.4/11 A18-49
NASCAR (ESPN2, 7:30pm, 150 minutes)
- 1.289 million viewers
- 0.9/2 HH
- 0.2/1 A18-49
Boxing (ESPN2, 10pm, 120 minutes)
- 0.573 million viewers
- 0.3/1 HH
- 0.2/1 A18-49
Real Time with Bill Maher (HBO, 10:01pm, 56 minutes)
- 1.048 million viewers
- 0.7/1 HH
- 0.3/1
American Restoration (HIST, 10pm)
- 2.498 million viewers
- 1.6/3 HH
- 0.8/2 A18-49A18-49
American Restoration (HIST, 10:30pm)
- 2.081 million viewers
- 1.4/2 HH
- 0.7/2 A18-49
Camelot (STARZ, 10pm, 51 minutes)
- 0.730 million viewers
- N/A HH
- 0.3/1 A18-49
WWE Smackdown (SYFY, 120 minutes)
- 2.793 million viewers
- 1.5/3 HH
- 0.8/3 A18-49
Urban Legends (SYFY, 10pm)
- 1.090 million viewers
- 0.7/1 HH
- 0.3/1 A18-49
Urban Legends (SYFY, 10:30pm)
- 0.780 million viewers
- 0.5/1 HH
- 0.2/1 A18-49
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